Cargando…

Ethics of alterity, confrontation and responsibility in 19th- to 21st-century British arts /

Various art forms inscribe, program or perform the preference of relationship. In so doing, they put otherness high on their aesthetic agenda by caring about the cultural other, the other of gender, race, class or history. Such art forms from different periods promote a mode of sensibility to the ot...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Ganteau, Jean-Michel (Editor ), Reynier, Christine (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montpellier : Presses universitaires de la Méditerranée, 2015.
Colección:Collection "Horizons anglophones". Série Present perfect.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 EBSCO_on1117495452
003 OCoLC
005 20231017213018.0
006 m o d
007 cr cnu---unuuu
008 190906s2015 fr a gob 000 0 eng d
040 |a N$T  |b eng  |e rda  |e pn  |c N$T  |d K6U  |d YDX  |d OCLCQ  |d OCLCO  |d OCLCQ  |d OCLCO 
019 |a 1089228709 
020 |a 9782367811796  |q (electronic bk.) 
020 |a 2367811792  |q (electronic bk.) 
020 |z 9782367811765 
020 |z 2367811768 
029 1 |a AU@  |b 000066324328 
035 |a (OCoLC)1117495452  |z (OCoLC)1089228709 
043 |a e-uk--- 
050 4 |a NX650.O84  |b E84x 2015eb 
080 |a (41)7.036"18/20" ETH 
082 0 4 |a 700/.484  |2 23 
049 |a UAMI 
245 0 0 |a Ethics of alterity, confrontation and responsibility in 19th- to 21st-century British arts /  |c edited by Jean-Michel Ganteau & Christine Reynier. 
264 1 |a Montpellier :  |b Presses universitaires de la Méditerranée,  |c 2015. 
300 |a 1 online resource (282 pages) :  |b illustrations (chiefly color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Collection "Horizons anglophones". Série Present perfect 
504 |a Includes bibliographical references. 
505 0 |a Introduction / Jean-Michel Ganteau & Christine Reynier -- 1. Ethics and the Horror of War: Operatic Ethics in Billy Budd / Catherine Lanone -- Printmaking During the First World War: The 'unseen moving goal' / Sophie Aymes -- Lee Miller: The Ethics of War Photography / Bénédicte Coste -- Ethical Discourse and the Assertions of Art / Gulshan Taneja. -- 2. Ethics, the National and the Other: Expressive Distortions: Stanley Spencer's Personal Ethics and 'creative probity' / Liliane Louvel -- The Optic of Mass-Observation / Laura Marcus -- A Tale of Two Media: The Ethics of Revolution from Dickens's Novel to its Film Adaptations / Luc Bouvard -- The Ethics of Alterity in Martin Parr's Photographic Series / Sonia Saubion. -- 3. Writing Alterity, Debating (Un)ethical Questions: Ezra Pound, Henri Gaudier-Brzeska and Philology / Michael Kindellan -- 'A powerful rough language': Stone, Style and Sculpture in the Poetry of Geoffrey Hill / Ben Hutchinson -- W.G. Sebald's Work of Melancholy and the Photographic Gaze: Rings of Saturn, Reconsidered / Hillel Broder. -- 4. New Visibilities: Considering the Othered: The Political Ethics of Alterity in Ian McEwan's Film Adaptations and Screenwriting / Laurent Mellet -- (Self)reflection, Transference, and Ethical Response: Douglas Gordon's 24 Hour Psycho / Linda S. Kauffman -- Kira O' Reilly's Inter-Species Art: Interrogating Man's Animality / Valérie Morisson -- Deller, Wallinger, Wearing: Towards an Ethics of Visual Interpellation / Catherine Bernard. 
520 |a Various art forms inscribe, program or perform the preference of relationship. In so doing, they put otherness high on their aesthetic agenda by caring about the cultural other, the other of gender, race, class or history. Such art forms from different periods promote a mode of sensibility to the other, whether the foreign or the invisible, or both, in their various manifestations. Sensibility to otherness is envisaged through the means of strident or humble art-forms and aesthetic choices, from the overtly experimental, to subdued adaptation. In confronting and welcoming the other art object, the other culture, or the othered citizen, art objects to the tyranny of the same and promotes such values as attentiveness, responsiveness and responsibility to forms of otherness, i.e. to the ways in which art cares about, or even takes care of the other. This implies the practice of an ethic of alterity (as distinct from the formulation of general rules) that is accountable for making the spectator or listener pay attention to social, economic and cultural invisibilities. Such an ethic of alterity joins hands with the political and may help chart the evolution of the objects and forms of engagement from the Victorian period to the present. 
588 0 |a Print version record. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Other (Philosophy) in art. 
650 0 |a Arts, British. 
650 6 |a Altérité dans l'art. 
650 6 |a Arts britanniques. 
650 7 |a Arts, British  |2 fast 
650 7 |a Other (Philosophy) in art  |2 fast 
700 1 |a Ganteau, Jean-Michel,  |e editor. 
700 1 |a Reynier, Christine,  |e editor. 
776 0 8 |i Print version:  |t Ethics of alterity, confrontation and responsibility in 19th- to 21st-century British arts.  |d Montpellier : Presses universitaires de la Méditerranée, 2015  |z 9782367811765  |w (OCoLC)939837843 
830 0 |a Collection "Horizons anglophones".  |p Série Present perfect. 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2036516  |z Texto completo 
938 |a EBSCOhost  |b EBSC  |n 2036516 
938 |a YBP Library Services  |b YANK  |n 16085269 
994 |a 92  |b IZTAP