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Harbingers of twentieth-century neo-classicism /
This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main cur...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Denmark :
Aarhus University Press,
[2019]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Egeland Hansen, Finn, |e author. | |
| 245 | 1 | 0 | |a Harbingers of twentieth-century neo-classicism / |c Finn Egeland Hansen. |
| 246 | 3 | |a Harbingers of 20th-century neoclassicism | |
| 264 | 1 | |a Denmark : |b Aarhus University Press, |c [2019] | |
| 300 | |a 1 online resource (109 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 106-109). | ||
| 505 | 0 | |a Preliminaries. Classicism versus romanticism ; Implied structure of textbooks on 19th-century music history ; The thesis ; Comments on Ferchault's article ; Saint-Saëns' aesthetical preferences -- Charles Gounod (1818-93). The symphonies ; Gounod's masses ; Other vocal works -- Camille Saint-Saëns (1835-1921). The symphonic works ; Piano music ; The chamber music -- Niels W. Gade (1817-1890). String quartets nos. 1 and 2 ; Cantata Zion, op. 49 -- Neo-classicism -- Parenthesis on the Danish composer Paul von Klenau (1883-1946) -- Conclusion. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 24, 2020). | |
| 520 | |a This book proposes a new theory about the neo-classical style in music. The Danish emeritus professor Finn Egeland Hansen has chosen three different composers - the French Camille Saint-Saens and Charles Gounod and the Danish Niels W. Gade - to discuss his thesis that the classical-romantic main current in classical music in fact represents two sub-currents. One sub-current focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. In close readings of the works by these three composers, Finn Egeland Hansen demonstrates how in different aspects they were harbingers of the neo-classical style - a style that is usually exemplified through later composers like Igor Stravinsky, Paul Hindemith and the members of the French group Les Six. Finn Egeland Hansen labels these harbingers' style as retro-classicism. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |y 19th century |x History and criticism. | |
| 650 | 0 | |a Neoclassicism (Music) | |
| 650 | 6 | |a Musique |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Néoclassicisme (Musique) | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Neoclassicism (Music) |2 fast |0 (OCoLC)fst01035777 | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Egeland Hansen, Finn. |t Harbingers of Twentieth-Century Neo-Classicism. |d Aarhus : Aarhus Universitetsforlag, ©2019 |z 9788771847116 |
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