Women artists, feminism and the moving image : contexts and practices /

What is the significance of gendered identification in relation to artists'moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Reynolds, Lucy (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Bloomsbury Publishing Plc, 2019
Temas:
Women artists.
Video art.
Feminism and art.
Femmes artistes.
Art vidéo.
Féminisme et art.
video art.
Theory of art.
Feminism & feminist theory.
Gender studies: women.
Film theory & criticism.
Art > Film & Video.
Performing Arts > Film & Video > History & Criticism.
Social Science > Feminism & Feminist Theory.
Art > Criticism & Theory.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Certain measures / Lis Rhodes
  • In conversation: MORE / Pauline Boudry/Renate Lorenz with Irene Revell
  • "In a tiny realm of her own": Lotte Reiniger's light work / Elinor Cleghorn
  • Returning to "Riddles" / Catherine Grant
  • "Being a together woman is a bitch": an "African American woman's film" genealogy of Julie Dash's "Four Women" (1975) / So Mayer
  • "Film Esperienza." The work of Marinella Pirelli / Lucia Aspesi
  • Prescient intersectionality: women, moving image and identity politics in 1980s Britain / Rachel Garfield
  • In conversations: Maria Palacios Cruz interviews Basma Alsharif
  • "Overexposed, like an X-ray": the politics of corporeal vulnerability in Sandra Lahire's experimental cinema / Maud Jacquin
  • "Look at Mother Nature on the run in the 1970s": Penelope Spheeris's "I Don't Know" / Erika Balsom
  • Aesthetics of potentiality: Nguyen Trinh Thi's essay films / May Adadol Ingawanij
  • The art of maximal ventriloquy: femininity as labour in the films of Rachel Maclean / Sarah Neely and Sarah Smith
  • In conversations: Club Des Femmes, Helena Rickett: an interview on International Women's Day 2017
  • Strategies of exposure and concealment in moving image art by women; a cross-generational account / Catherine Elwes
  • Choreographing women's work: multitaskers, smartphone users and virtuoso performers / Maeve Connolly
  • Female solidarity as uncommodified value: Lucy Beech's "Cannibals" and Rehana Zaman's "Some Women, Other Women and all the Bittermen" / Maria Walsh
  • Can we still talk about women artists? / Melissa Gronlund

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