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Synaesthetics : art as synaesthesia /

"Paul Gordon proposes a new theory of art as synaesthetic and applies this idea to various media, including works--such as movies, illustrated books and song lyrics--that explicitly cross over into media involving the different senses. The idea of art as synaesthetic is not, however, limited to...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gordon, Paul, 1951- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Bloomsbury Academic, 2020.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gordon, Paul,  |d 1951-  |e author. 
245 1 0 |a Synaesthetics :  |b art as synaesthesia /  |c Paul Gordon. 
264 1 |a New York, NY :  |b Bloomsbury Academic,  |c 2020. 
300 |a 1 online resource (194 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b n  |2 rdamedia 
338 |a online resource  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "Paul Gordon proposes a new theory of art as synaesthetic and applies this idea to various media, including works--such as movies, illustrated books and song lyrics--that explicitly cross over into media involving the different senses. The idea of art as synaesthetic is not, however, limited to those "cross-over" works because even an individual poem or novel or painting calls upon different senses in creating its syn-aesthetic "meaning." Although previous studies have often devolved into those who see an obvious connection between art and synaesthesia and those who adamantly reject such a notion, Synaesthetics furthers our understanding of synaesthesia as an important, if not essential, component of artistic expression"--  |c Provided by publisher. 
505 0 |a Intro; Title Page; Copyright Page; Contents; Acknowledgments; Chaper 1: Introduction: Art as Synaesthesia; Synaesthesia as "The Figure in the Carpet"; Miró's Figure in the Carpet; Chapter 2: "Deep Down": Metaphor as Synaesthetic1; Metaphor as Synaesthetic; Nietzsche and Metaphor; Heidegger: Synaesthesia as the Metaphorical Ground of Being; Derrida: "White Mythology"; Derrida: "The Retreat of Metaphor"; Chapter 3: The Synaesthetic Origin of the Work of Art; The Origin of the Work of Art; De-con-struction as Syn-aesthesia: Memoirs of the Blind; Epilogue: On Friendship as Synaesthesia 
505 8 |a Chapter 4: Baudelaire's Poetry of Synaesthetic CorrespondencesCorrespondances; Les chats; The Scent of a Poem; Chapter 5: Plastic Fantastic: Paul Klee's Synaesthetic Word-Images; Chapter 6: Rouault's "True Icons": A Synaesthetic Unveiling of the Miserere's Veronicas; Chapter 7: Feeling/Hearing Picasso: The Synaesthetics of Cubism and the Vollard Suite; Chapter 8: Georgia O'Keeffe and the Music of Flowers; Chapter 9: Joan Mitchell and the Power of Blue; Beauvais (1986); Blue Tree (1964); No Birds (1988); Chapter 10: Rock and Roll as Synaesthesia: Why Rock Lyrics (Don't) Matter 
588 0 |a Online resource; title from digital title page (viewed on January 09, 2020). 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Synesthesia and the arts. 
650 7 |a Literary theory.  |2 bicssc 
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