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EBSCO_on1108782009 |
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20231017213018.0 |
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190620s2020 nyu ob 001 0 eng |
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|a 2019025901
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|b eng
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|a 150135681X
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|a 9781501356810
|q (electronic bk.)
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|a 9781501356803
|q (electronic book)
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|a 1501356801
|q (electronic book)
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|z 9781501356797
|q (hardcover)
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|a AU@
|b 000066477473
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|a AU@
|b 000065838908
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|a (OCoLC)1108782009
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|a pcc
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|a NX180.S96
|b G67 2020
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|a 700.1
|2 23
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|a UAMI
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|a Gordon, Paul,
|d 1951-
|e author.
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|a Synaesthetics :
|b art as synaesthesia /
|c Paul Gordon.
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|a New York, NY :
|b Bloomsbury Academic,
|c 2020.
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|a 1 online resource (194 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b n
|2 rdamedia
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|a online resource
|b nc
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a "Paul Gordon proposes a new theory of art as synaesthetic and applies this idea to various media, including works--such as movies, illustrated books and song lyrics--that explicitly cross over into media involving the different senses. The idea of art as synaesthetic is not, however, limited to those "cross-over" works because even an individual poem or novel or painting calls upon different senses in creating its syn-aesthetic "meaning." Although previous studies have often devolved into those who see an obvious connection between art and synaesthesia and those who adamantly reject such a notion, Synaesthetics furthers our understanding of synaesthesia as an important, if not essential, component of artistic expression"--
|c Provided by publisher.
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|a Intro; Title Page; Copyright Page; Contents; Acknowledgments; Chaper 1: Introduction: Art as Synaesthesia; Synaesthesia as "The Figure in the Carpet"; Miró's Figure in the Carpet; Chapter 2: "Deep Down": Metaphor as Synaesthetic1; Metaphor as Synaesthetic; Nietzsche and Metaphor; Heidegger: Synaesthesia as the Metaphorical Ground of Being; Derrida: "White Mythology"; Derrida: "The Retreat of Metaphor"; Chapter 3: The Synaesthetic Origin of the Work of Art; The Origin of the Work of Art; De-con-struction as Syn-aesthesia: Memoirs of the Blind; Epilogue: On Friendship as Synaesthesia
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|a Chapter 4: Baudelaire's Poetry of Synaesthetic CorrespondencesCorrespondances; Les chats; The Scent of a Poem; Chapter 5: Plastic Fantastic: Paul Klee's Synaesthetic Word-Images; Chapter 6: Rouault's "True Icons": A Synaesthetic Unveiling of the Miserere's Veronicas; Chapter 7: Feeling/Hearing Picasso: The Synaesthetics of Cubism and the Vollard Suite; Chapter 8: Georgia O'Keeffe and the Music of Flowers; Chapter 9: Joan Mitchell and the Power of Blue; Beauvais (1986); Blue Tree (1964); No Birds (1988); Chapter 10: Rock and Roll as Synaesthesia: Why Rock Lyrics (Don't) Matter
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|a Online resource; title from digital title page (viewed on January 09, 2020).
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Synesthesia and the arts.
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650 |
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|a Literary theory.
|2 bicssc
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650 |
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|a Synesthesia and the arts
|2 fast
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|i Print version:
|a Gordon, Paul, 1951-
|t Synaesthetics.
|d New York, NY : Bloomsbury Academic, 2019
|z 9781501356797
|w (DLC) 2019025900
|
856 |
4 |
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|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2319521
|z Texto completo
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938 |
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|a Bloomsbury Publishing
|b BLOO
|n 9781501356827
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5986869
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938 |
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|a EBSCOhost
|b EBSC
|n 2319521
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|a YBP Library Services
|b YANK
|n 301108583
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|a 92
|b IZTAP
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