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Eugene O'Neill and the Reinvention of Theatre Aesthetics /

The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frame...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dubost, Thierry, 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jefferson, North Carolina : McFarland, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Acknowledgments; Table of Contents; Acknowledgments; List of Abbreviations; Introduction; 1. Aristotle Got His Gun: From A Wife for a Life, Now I Ask You! ... to A Touch of the Poet; 2. Thirst: A Theatrical Appetizer; 3. Human and Aesthetic Migrations in Fog; 4. Bound East for Cardiff, an Immobile Crossing; 5. The Movie Man: The Failure of Aesthetics?; 6. Servitude: Portrait of the Artist as a Committed Playwright; 7. Before Breakfast: An Overemphasized Monologue?; 8. Exorcism: The Road Not Taken; 9. "Harmless Foights" in the Sea Plays 
505 8 |a 10. Home, Elsewhere: Tragic (Im)mobility in Beyond the Horizon11. Madness in Where the Cross Is Made and Gold; 12. A Long, Long Kiss: Labial Contacts in The Straw, Diff'rent, The First Man, The Fountain and Welded; 13. The Aesthetics of (Fake) Salvation in "Anna Christie"; 14. The Emperor Jones: Inventing a New Dramaturgy; 15. The Hairy Ape: An Orphean Journey into Thought; 16. A Playwright-Director Staging The Rime of the Ancient Mariner; 17. A Thing Is Not Just a Thing: An Uncanny Stage Presence in All God's Chillun Got Wings 
505 8 |a 18. Opaque or Transparent Representations of Desire in Desire Under the Elms19. Home Away from Home: Greed in Marco Millions; 20. The Great God Brown: Shedding Old-Fashioned Staging Models?; 21. Lazarus Laughed and Dynamo: Nonverbal Communications; 22. Strange Interlude: Exposing the Invisible; 23. The Ways of the Flesh in Mourning Becomes Electra; 24. A Kierkegaardian Comedy: The Painless Contradictions of a Festive Meal in Ah, Wilderness!; 25. Days Without End: A Modern Miracle Play?; 26. The Origin of a World: Male Privacy and Tragedy in A Touch of the Poet 
505 8 |a 27. A Garden of One's Own: Heterotopia in More Stately Mansions28. O'Neill's Choric Designs in The Iceman Cometh; 29. Long Day's Journey into Night: Words for the Birth of a Ghostly Irish Playwright; 30. Hughie, Written More to be Read Than Staged?; 31. The Road to Salvation in A Moon for the Misbegotten; Conclusion; Chapter Notes; Bibliography; Index 
588 0 |a Online resource; title from digital title page (viewed on August 01, 2019). 
504 |a Includes bibliographical references (pages 258-264) and index. 
520 |a The plays of Eugene O'Neill testify to his continued search for new dramatic strategies. The author explores the Nobel Prize winner's attempts at creating a new Modern play. He shows how, moving away from melodrama or "the problem play," O'Neill revisited the classical frames of drama and reinvented theater aesthetics by resorting to masks, the chorus, acoustics, silence or immobility for the creation of his dramatic works. 
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