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Tonality since 1950.
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stuttgart :
Franz Steiner Verlag,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Contents; Contributors; Felix Wörner, Ullrich Scheideler, and Philip Rupprecht Introduction; Concepts and Contexts; Ulrich Mosch: Foundation or Mere Quotation? Conditions for Applying the Tonality Concept to Music After 1950; Wolfgang Rathert: Total Tonality or Tonal Totality: A Compositional Issue in Music After 1945; Joseph Auner: The Stopped Clock: Tape Loops, Synthesizers, and the Transfiguration of Harmony; Nicole Biamonte: Pop/Rock Tonalities; Perspectives of the Mid-Century; Thomas Ahrend: "Das Wunderland": Tonality and (Political) Topography in Eisler's Songs Around 1950
- Ullrich Scheideler: Tonality in Henze's Music of the 1950s and Early 1960sFelix Meyer: "Everything we love belongs to us": George Rochberg's Adoption of Tonality; Judit Frigyesi: The Macro- and Micro-Lives of Sounds in Morton Feldman's The Viola in My Life I; Processes, Objects, Functions, and Resonances: Directions Since 1970; Keith Potter: Harmonic Progressions as a Gradual Process: Towards an Understanding of the Development of Tonality in the Music of Steve Reich; Philip Rupprecht: Tonality Rediscovered: Oliver Knussen and the Musical "Object" in the 1970s
- Peter J. Schmelz: Tonality After "New Tonality": Silvestrov, Schnittke, and Polystylism in the Late USSREric Drott: Saariaho, Timbre, and Tonality; Simone Heilgendorff: Projected Resonance: Tonal Dimensions of Microtonal Composition in Music by Georg Friedrich Haas; Felix Wörner: Tonality as "Irrationally Functional Harmony": Thomas Adès's Piano Quintet; Volker Helbing: "Hungarian Tonality"? György Kurtág's ... rappel des oiseaux ... from the Perspective of Albert Simon's Theory of Tonfelder; Index