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EBSCO_on1104209843 |
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20231017213018.0 |
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m o d |
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cr cnu---unuuu |
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190611s2019 ncu ob 001 0 eng d |
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|a N$T
|b eng
|e rda
|e pn
|c N$T
|d N$T
|d OCL
|d EBLCP
|d VLB
|d UKAHL
|d OCLCQ
|d YDX
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
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|a 9781476635958
|q (electronic bk.)
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|a 1476635951
|q (electronic bk.)
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|z 9781476674728
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|z 1476674728
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|a AU@
|b 000066048557
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|a (OCoLC)1104209843
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|a n-us---
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|a ML3917.U6
|b C3 2019eb
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|a MUS
|x 041000
|2 bisacsh
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|a 781.62/13009046
|2 23
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|a UAMI
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|a Cain, Michael Scott,
|e author.
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|a Folk music and the new left in the sixties /
|c Michael Scott Cain.
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|a Jefferson, North Carolina :
|b McFarland & Company,
|c [2019]
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300 |
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a "Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world"--
|c Provided by publisher
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|a Online resource; title from PDF title page (EBSCO, viewed June 11, 2019).
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|a Cover; Table of Contents; Preface; Introduction; Part I. Mississippi Needs Folk Singers; 1. Background; 2. Senator Keating Discovers a Crack in the Nation's Foundation; 3. The Schizophrenic World of the Protest Song; 4. Bob Moses Attacks Mississippi; 5. Here's to the State of Mississippi; 6. Carolyn Hester Goes to Mississippi; 7. Joan Baez Boards the Mississippi Train; 8. Peter, Paul and Mary; 9. Bob Dylan: The Reluctant Spokesman; 10. After the Summer Comes the Fall; Part II. "Hey, Hey, LBJ, How Many Kids Did You Kill Today?"; 11. The Radicalizing of Tom Hayden
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|a 12. Lyndon Johnson Fights a War on Two Fronts: In Vietnam and in the Streets13. The Music of the People; 14. Music and the Prefigurative Culture; 15. Rise of the Prefigurative Culture; 16. "Lyndon Johnson Told the Nation"; 17. Impatience Leads to Escalation; 18. The Chicago Seven Get Famous; 19. The New Left Loses Its Credibility; 20. The Shift in Academia: What Is Relevant?; Part III. Burn, Baby, Burn; 21. Radicalism in Both Politics and Music Dies; 22. The Death of Music as Revolution; 23. You Don't Need a Weatherman ... ; Conclusion; Chapter Notes; Bibliography; Index
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Folk music
|x Political aspects
|z United States
|x History
|y 20th century.
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650 |
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|a Protest songs
|z United States
|y 20th century
|x History and criticism.
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|a Social movements
|z United States
|x History
|y 20th century.
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650 |
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|a Nineteen sixties.
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650 |
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6 |
|a Chansons contestataires
|z États-Unis
|y 20e siècle
|x Histoire et critique.
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650 |
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|a Mouvements sociaux
|z États-Unis
|x Histoire
|y 20e siècle.
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650 |
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|a Années soixante (Vingtième siècle)
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650 |
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Nineteen sixties
|2 fast
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|a Protest songs
|2 fast
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|a Social movements
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|a United States
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2156444
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH36429941
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5846088
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938 |
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|a EBSCOhost
|b EBSC
|n 2156444
|
938 |
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|a YBP Library Services
|b YANK
|n 300601324
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994 |
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|a 92
|b IZTAP
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