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Folk music and the new left in the sixties /

"Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cain, Michael Scott (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jefferson, North Carolina : McFarland & Company, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781476635958  |q (electronic bk.) 
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100 1 |a Cain, Michael Scott,  |e author. 
245 1 0 |a Folk music and the new left in the sixties /  |c Michael Scott Cain. 
264 1 |a Jefferson, North Carolina :  |b McFarland & Company,  |c [2019] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world"--  |c Provided by publisher 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed June 11, 2019). 
505 0 |a Cover; Table of Contents; Preface; Introduction; Part I. Mississippi Needs Folk Singers; 1. Background; 2. Senator Keating Discovers a Crack in the Nation's Foundation; 3. The Schizophrenic World of the Protest Song; 4. Bob Moses Attacks Mississippi; 5. Here's to the State of Mississippi; 6. Carolyn Hester Goes to Mississippi; 7. Joan Baez Boards the Mississippi Train; 8. Peter, Paul and Mary; 9. Bob Dylan: The Reluctant Spokesman; 10. After the Summer Comes the Fall; Part II. "Hey, Hey, LBJ, How Many Kids Did You Kill Today?"; 11. The Radicalizing of Tom Hayden 
505 8 |a 12. Lyndon Johnson Fights a War on Two Fronts: In Vietnam and in the Streets13. The Music of the People; 14. Music and the Prefigurative Culture; 15. Rise of the Prefigurative Culture; 16. "Lyndon Johnson Told the Nation"; 17. Impatience Leads to Escalation; 18. The Chicago Seven Get Famous; 19. The New Left Loses Its Credibility; 20. The Shift in Academia: What Is Relevant?; Part III. Burn, Baby, Burn; 21. Radicalism in Both Politics and Music Dies; 22. The Death of Music as Revolution; 23. You Don't Need a Weatherman ... ; Conclusion; Chapter Notes; Bibliography; Index 
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650 0 |a Folk music  |x Political aspects  |z United States  |x History  |y 20th century. 
650 0 |a Protest songs  |z United States  |y 20th century  |x History and criticism. 
650 0 |a Social movements  |z United States  |x History  |y 20th century. 
650 0 |a Nineteen sixties. 
650 6 |a Chansons contestataires  |z États-Unis  |y 20e siècle  |x Histoire et critique. 
650 6 |a Mouvements sociaux  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Années soixante (Vingtième siècle) 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 7 |a Nineteen sixties  |2 fast 
650 7 |a Protest songs  |2 fast 
650 7 |a Social movements  |2 fast 
651 7 |a United States  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
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