Tabla de Contenidos:
  • <Span><span>Acknowledgments </span></span><br /><span><span>Introduction </span></span><br /><span><span>List of Illustrations </span></span><br /><span><span>List of Abbreviations </span></span><br /><span><span>Chapter 1: Anatomy of a Dedication: Gottfried Taubert, His Dedicatee, and the Feuillet Analogy</span></span><br /><span><span>Chapter 2: Taubert in Danzig, and the German Reception of the </span><span style="font-style:italic;">Chorégraphie</span></span><br /><span><span>Chapter 3: In Defense of Behr: Taubert's Contemporaries Revisited </span></span><br /><span><span>Chapter 4:Concordance of German Dance Treatises, 1703-1717</span></span><br /><span><span>Chapter 5: Feuillet, Taubert, Philipp Gumpenhueber, and the Spread of Beauchamps-Feuillet Notation </span></span><br /><span><span>Chapter 6: Dance Theory in Germany and England, 1703-1721 </span></span><br /><span><span>Postscript: Kleist's "Über das Marionettentheater" </span></span><br /><span><span>Bibliography </span></span><br /><span><span>Index </span></span><br /><span><span>About that Author</span></span>