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|a UAMI
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|a Anderson, Jaynie.
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|a Crossing Cultures
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|a Melbourne :
|b Melbourne University Publishing,
|c 2015.
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|a 1 online resource (1705 pages)
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|a Intro; Title; Copyright; Contents; Preface; 1 A Melbourne Conversation at the Town Hall on Art, Migration and Indigeneity: What Happens when Cultures Meet?; 1 An Introduction to the Conversation; 2 Playing between the Lines: The Melbourne Experience of Crossing Cultures; 3 Art in Transit: Give and Take in Dutch Art; 4 Found in Translation; 5 Home and Away: Works of Art as Citizens and Migrants; 6 The Travels of a Mi'kmaq Coat: A Nineteenth-Century World Art History and Twenty-First-Century Cultural Politics; 2 Creating Perspectives on Global Art History
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|a 7 Joe Burke's Legacy: The History of Art History in Melbourne8 The Art of Being Aboriginal; 9 On Global Memory: Reflections on Barbaric Transmission; 3 Art Histories in an Interconnected World:Synergies and New Directions; 10 Beyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First Century; 11 Not Just Images but Art: Pragmatic Issues in the Movement towards a More Inclusive Art History; 12 The World at Stake: CIHA after Melbourne; 13 Global Collections for Global Cities; 4 The Idea of World Art History; 14 Introduction 1; 15 Introduction 2
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|a Methodological and Ideological Perspectives16 Neuroarthistory as World Art History: Why Do Humans Make Art and Why Do They Make It Differently in Different Times and Places?; 17 Towards Horizontal Art History; 18 Global Aspects on Johnny Roosval's Concept of the; 19 Putting the World in a Book: How Global Can Art History Be Today?; Empirical Perspectives; 20 From Ideology to Universal Principles: Art History and the Visual Culture of the Balkans in the Ottoman Empire; 21 From Nation via Immigration to World Art: Concepts and Methods of Brazilian Art Theory
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|a 22 Universalism and Utopia: Joseph Beuys and Alighiero Boetti as Case Studies for a World Art History23 Genius Loci: The Revenge of the Good Savage?; 24 A Survey of the Current State of Art History in China; 25 Recent Study in Ancient Chinese Art History in China; 26 Objects without Borders: Cultural Economy and the World of Artefacts; 5 Fluid Borders: Mediterranean Art Histories; 27 Fluid Borders, Hybrid Objects: Mediterranean Art Histories 500-1500, Questions of Method and Terminology
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|a 28 Building Identities: Fluid Borders and an 'International Style' of Monumental Architecture in the Bronze Age29 Byzantine Art in Italy: Sixth-Century Ravenna as a Matrix of Confluence?; 30 'Image-Paradigms' as a Category of Mediterranean Visual Culture: A Hierotopic Approach to Art History; 31 The 'Golden Age' in Al-Andalus as Remembered, or How Nostalgia Forged History; 32 Fluid Picture-Making across Borders, Genres, Media: Botanical Illustration from Byzantium to Baghdad, Ninth to Thirteenth Centuries
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|a 33 Greek Painters Working for Latin and Non-Orthodox Patrons in the Late Medieval Mediterranean: Some Preliminary Remarks
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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|a Art and globalization
|v Congresses.
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| 650 |
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|a Art
|z Australia
|v Congresses.
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|a Art et mondialisation
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|a Australia
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|a Conference papers and proceedings
|2 fast
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| 776 |
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|i Print version:
|a Anderson, Jaynie.
|t Crossing Cultures.
|d Melbourne : Melbourne University Publishing, ©2015
|z 9780522857108
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| 856 |
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