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Hungarian film 1929-1947 : national identity, anti-semitism, and popular cinema /

What does it mean for someone or something to be Hungarian? People in Hungary grappled with this far-reaching question in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at fi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gergely, Gábor, 1979- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2017]
Colección:Eastern European screen cultures.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gergely, Gábor,  |d 1979-  |e author. 
245 1 0 |a Hungarian film 1929-1947 :  |b national identity, anti-semitism, and popular cinema /  |c Gábor Gergely. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (329 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Eastern European screen cultures 
504 |a Includes bibliographical references (pages 319-326) and index. 
588 0 |a Online resource; title from digital title page (viewed on January 11, 2021). 
520 |a What does it mean for someone or something to be Hungarian? People in Hungary grappled with this far-reaching question in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at films with an eye to that question, too. Did the Hungary seen on screen represent the Hungary they knew from everyday life? And-crucially-did the major role played by Jewish Hungarians in the film industry make the sector and its creations somehow Jewish rather than Hungarian? Jews, it was soon decided, could not really be Hungarian, and acts of Parliament soon barred them from taking major roles in cinema production. This book tells the troubled story of that period in Hungarian cinematic history, taking it up through World War II. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t List of Illustrations --  |t Acknowledgements --  |t A Note on Accents, Pronunciation, Names, and Spellings --  |t Preface --  |t Introduction --  |t 1. Key Concepts in Pre-1945 Hungarian Cinema --  |t 2. A Contested Film History --  |t 3. An Industry Emerges 1931-1935 --  |t 4. Boom, Crisis and Anti-Semitic Reorganization 1936-1941 --  |t 5. From War Boom to Bust 1941-1944 --  |t Epilogue: Industry Reboot and the Myth of a New Start 1945-1947 --  |t Concluding Remarks --  |t Bibliography --  |t Index 
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650 0 |a Motion pictures  |z Hungary  |x History. 
650 0 |a Motion picture industry  |z Hungary  |x History. 
650 0 |a National characteristics, Hungarian. 
650 0 |a Jews in motion pictures. 
650 6 |a Cinéma  |z Hongrie  |x Histoire. 
650 6 |a Cinéma  |x Industrie  |z Hongrie  |x Histoire. 
650 6 |a Hongrois. 
650 6 |a Juifs au cinéma. 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a HISTORY / Europe / Austria & Hungary.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
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650 7 |a Motion picture industry.  |2 fast  |0 (OCoLC)fst01027150 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
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830 0 |a Eastern European screen cultures. 
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