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Philosophical essays on Ugo Nespolo's art and cinema /

An indefatigable experimenter with new creative possibilities, with his work, the Italian artist Ugo Nespolo (1941- ) has given shape to a poetics that stands out in the contemporary art scene by existing on the border between avant-garde and pop. He has experimented in almost every field of art, in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Dal Sasso, Davide (Editor ), Angelucci, Daniela (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Publishing, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Philosophical essays on Ugo Nespolo's art and cinema /  |c edited by Davide Dal Sasso and Daniela Angelucci. 
264 1 |a Newcastle upon Tyne :  |b Cambridge Scholars Publishing,  |c 2018. 
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504 |a Includes bibliographical references and index. 
520 8 |a An indefatigable experimenter with new creative possibilities, with his work, the Italian artist Ugo Nespolo (1941- ) has given shape to a poetics that stands out in the contemporary art scene by existing on the border between avant-garde and pop. He has experimented in almost every field of art, in and out of different screens, from paintings to installations and cinema. This book is a collection of philosophical essays that analyse Nespolo's poetics from different theoretical perspectives, focused in particular on his artworks and films. The book consists of three sections. The first includes essays dedicated to Nespolo's works that fall within the visual arts. The second presents contributions that investigate his cinema and some of his films. The third section concludes the book with two interviews conducted at different stages of Nespolo's career, which tackle some of the key themes of his poetics, offering a direct insight into his theoretical reflection. 
505 0 |a Intro; Table of Contents; Introduction by the Editors; Editorial Note; List of Illustrations; Section 1: Essays on Art; A Glossary for Ugo Nespolo; Nespolo: Between Warhol and Rilke; Pop Art is a Way of Liking Things; Between Lichtenstein and Warhol; One Fine Day We'll See; Ugo Nespolo: About Representations; Aesthetic Encounters; A Romantic Conceptualist; Section 2: Essays on Cinema; Cinenespolo; The Fleeting Life of Photograms; Repetition and Rhythm; Adventures of Form; A Film is a Film is a Film: Con-certo rituale; Anti-Dogma: Experimental Cinema and Philosophy of Film; Spheres and Strolls 
505 8 |a Section 3: Conversations with Ugo NespoloThe Work of Art: A Way to Experience Mortality; The Relationship between Art and Theory; Contributors; Index 
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700 1 |a Angelucci, Daniela,  |e editor. 
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