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|a UAMI
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| 245 |
0 |
0 |
|a Music, narrative and the moving image :
|b varieties of plurimedial interrelations /
|c edited by Walter Bernhart, David Francis Urrows.
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| 264 |
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1 |
|a Leiden ;
|a Boston :
|b Brill Rodopi,
|c [2019]
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
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|a computer
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|2 rdamedia
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|b cr
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| 490 |
1 |
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|a Word and music studies ;
|v volume 17
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Film music: reflections on functions. Music's body and the moving image / Lawrence Kramer -- Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images/ Saskia Jaszoltowski -- Traditional and Non-traditional Uses of Film Music, and Musical Metalepsis in The Truman Show / Werner Wolf -- Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future challenge to the Diegetic/Non-diegetic model / Jordan Carmalt Stokes -- Film Music: Significant Intermedial Cases. Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni's Rapsodia satanica (1915) / Bernhard Kuhn -- Humanized Documentary, "Light" Verse, and Music Made to Fit: g.p.o. film Unit/Auden/Britten's Night Mail (1936) / Walter Bernhart -- An Incarnation of Memory: Song as Absence in Claude Lanzmann's Shoah / Ruth Jacobs -- Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan's Winter Sleep / Heidi Hart -- Mise en scene, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski's Ida / Christopher Booth -- Intermedial Varieties. Shadow Images Moving to Music: La tentation de Saint Antoine in Montmartre / Peter Dayan -- 'The Big Turnaround in the Middle': On the Silent Movie and the Film Music Interlude in Alban Berg's Opera Lulu / Marion Recknagel -- All the pieces matter: On complex TV music / Frieder von Ammon -- The Music Videos of Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media / Emily Petermann -- Remediations. Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten's Juan / Axel Englund -- Novel, Woodcuts, Film, Music: Pondering over the Title of Gara Garayev's Symphony Engravings "Don Quixote" / Alla Bayramova -- Film as Opera: Three Perspectives on Still Life and Brief Encounter / Michael Halliwell -- On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? / David Francis Urrows.
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| 588 |
0 |
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|a Online resource; title from digital title page (viewed on July 03, 2019).
|
| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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0 |
|a Motion picture music
|x History and criticism.
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| 650 |
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0 |
|a Motion pictures and music.
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| 650 |
|
6 |
|a Film, Musique de
|x Histoire et critique.
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| 650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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| 650 |
|
7 |
|a Motion picture music.
|2 fast
|0 (OCoLC)fst01027201
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| 650 |
|
7 |
|a Motion pictures and music.
|2 fast
|0 (OCoLC)fst01027416
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 700 |
1 |
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|a Bernhart, Walter,
|e editor.
|
| 700 |
1 |
|
|a Urrows, David Francis,
|e editor.
|
| 776 |
0 |
8 |
|i Print version:
|t Music, narrative and the moving image.
|d Leiden ; Boston : Brill Rodopi, 2019
|z 9789004399044
|w (DLC) 2019013188
|
| 830 |
|
0 |
|a Word and music studies ;
|v 17.
|
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