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Contemporary Peruvian cinema : history, identity and violence on screen /

The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path'left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Barrow, Sarah (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : I.B. Tauris, 2018.
Colección:Tauris world cinema series.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Contemporary Peruvian cinema :  |b history, identity and violence on screen /  |c Sarah Barrow. 
264 1 |a London ;  |a New York :  |b I.B. Tauris,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (xiv, 242 pages, 16 unnumbered pages of plates) :  |b 24 illustrations (chiefly color) 
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490 1 |a Tauris World Cinema Series 
520 |a The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path'left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history. 
504 |a Includes bibliographical references (pages 215-227), filmography (pages 228-229) and index. 
505 0 |a Cinema, state and national identity -- Cinema, transition and turmoil -- Cinema, oppression and ideology, 1992-2000 -- Cinema, memory and truth, 2000-2004 -- New generations and open wounds, 2005-2016. 
588 0 |a Print version record. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Motion pictures  |z Peru  |x History. 
650 0 |a History in motion pictures. 
650 0 |a Violence in motion pictures. 
650 0 |a Identity (Psychology) in motion pictures. 
651 0 |a Peru  |x In motion pictures. 
651 0 |a Peru  |x History  |y 1980- 
650 0 |a Group identity  |z Peru. 
650 6 |a Cinéma  |z Pérou  |x Histoire. 
650 6 |a Histoire au cinéma. 
650 6 |a Violence au cinéma. 
650 6 |a Identité (Psychologie) au cinéma. 
651 6 |a Pérou  |x Histoire  |y 1980- 
650 6 |a Identité collective  |z Pérou. 
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650 7 |a Identity (Psychology) in motion pictures.  |2 fast  |0 (OCoLC)fst00966911 
650 7 |a History in motion pictures.  |2 fast  |0 (OCoLC)fst01903472 
650 7 |a Group identity.  |2 fast  |0 (OCoLC)fst00948442 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
651 7 |a Peru.  |2 fast  |0 (OCoLC)fst01205190 
648 7 |a Since 1980  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
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