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Curating pop : exhibiting popular music in the museum /

"Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum wo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Baker, Sarah, 1977- (Autor), Istvandity, Lauren (Autor), Nowak, Raphaël, 1985- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Bloomsbury Academic, 2019
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Baker, Sarah,  |d 1977-  |e author. 
245 1 0 |a Curating pop :  |b exhibiting popular music in the museum /  |c Sarah Baker, Lauren Istvandity and Raphaël Nowak 
263 |a 1906 
264 1 |a New York, NY :  |b Bloomsbury Academic,  |c 2019 
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520 |a "Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense."--Bloomsbury Publishing 
504 |a Includes bibliographical references and index 
505 0 |a Curatorial practice in popular music museums: an introduction -- Canonic representations: the celebration of dominant (and hidden) histories -- Selling the museum experience: curation, economies, and visitor experience -- Popular music and place: local, national and global stories -- Treating objects like art: curating material culture -- Telling stories: narratives of popular music's past -- Curator subjectivity: influence and bias in popular music exhibitions -- Living history: nostalgia as affective curatorial practice -- Managing the music: Sound in the popular music museum -- Beyond the typology: concluding thoughts 
588 0 |a Print version record 
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650 0 |a Music museums  |x Curatorship. 
650 0 |a Popular music  |v Exhibitions. 
650 0 |a Popular music  |x Historiography. 
650 6 |a Musique populaire  |v Expositions. 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a Popular music  |x Historiography.  |2 fast  |0 (OCoLC)fst01920673 
653 |a Museum and Curatorial Studies (Art). 
653 |a Music & Sound Studies. 
653 |a Music and Culture. 
655 7 |a exhibition catalogs.  |2 aat 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
655 7 |a Exhibition catalogs.  |2 lcgft 
655 7 |a Catalogues d'exposition.  |2 rvmgf 
700 1 |a Istvandity, Lauren,  |e author. 
700 1 |a Nowak, Raphaël,  |d 1985-  |e author. 
776 0 8 |i Print version:  |a Baker, Sarah, 1977-  |t Curating pop.  |d New York, NY : Bloomsbury Academic, 2019  |z 9781501343575  |w (DLC) 2019007906  |w (OCoLC)1044832145 
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