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Working aesthetics : labour, art and capitalism /

"Working Aesthetics is about the relationship between art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer consider...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Child, Danielle (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Bloomsbury Academic, 2019
Colección:Radical aesthetics, radical art.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Working aesthetics :  |b labour, art and capitalism /  |c Danielle Child 
264 1 |a London :  |b Bloomsbury Academic,  |c 2019 
264 4 |c ©2019 
300 |a 1 online resource (xv, 221 pages) :  |b illustrations 
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490 1 |a Radical aesthetics - radical art 
520 |a "Working Aesthetics is about the relationship between art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic, but is heralded as an example of how to work in neoliberal management textbooks. As work and life become obscured within the contemporary period, this book asks how artistic practice is affected, including those who labour for artists. Through a series of case studies, Working Aesthetics critically examines the moments in which labour and art intersect under capitalism. When did labour disappear from art production, or accounts of art history? Can we consider the dematerialization of art in the 1960s in relation to the deskilling of work? And how has neoliberal management theory adopting the artist as model worker affected artistic practices in the 21st century? With the narrowing of work and art visible in galleries and art discourse today, Working Aesthetics takes a step back to ask why labour has become a valid subject for contemporary art, and explores what this means for aesthetic culture today."--Bloomsbury Publishing 
504 |a Includes bibliographical references and index 
505 0 |a Introduction : labour, art and capitalism -- the deskilling of the artist : Lippincott Inc. (1966-94) -- Neo-liberalism and the facilitator : Mike Smith Studio (1989- ) -- The artist as project manager? : Thomas HIrschhorn's Bataille monument (2002) and Gramsci monument (2013) -- Immaterial labour : Rimini Protokoll's Call Cutta in a box (2008-12) -- Affective action : Liberate Tate (2010- ) -- Digital labour and capitalist technologies : etoy's Toywar (1999) and Mission eternity (2005- ) -- Conclusion : making work visible -- Afterword : Where do we go from here? : a note on post-work 
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650 0 |a Aesthetics  |x Economic aspects. 
650 0 |a Art  |x Political aspects. 
650 0 |a Art and society. 
650 0 |a Capitalism  |x Social aspects. 
650 6 |a Art  |x Aspect politique. 
650 6 |a Art et société. 
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650 7 |a Capitalism  |x Social aspects.  |2 fast  |0 (OCoLC)fst00846453 
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830 0 |a Radical aesthetics, radical art. 
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