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Popular music, ethnicity and politics in the Kenya of the 1990s : Okatch Biggy live at "The Junction" /
Okatch Biggy was the single most dominant benga artiste of the 1990s. Over that decade, benga was the most important genre of popular music in Kenya. What is it about the music of Okatch Biggy that made it attractive to his target audience, the Luo of the 1990s? Is there something about the Luo of t...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2019.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Popular music, ethnicity and politics in the Kenya of the 1990s : |b Okatch Biggy live at "The Junction" / |c by T. Michael Mboya. |
| 260 | |a Newcastle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2019. | ||
| 300 | |a 1 online resource | ||
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed March 27, 2019). | |
| 520 | |a Okatch Biggy was the single most dominant benga artiste of the 1990s. Over that decade, benga was the most important genre of popular music in Kenya. What is it about the music of Okatch Biggy that made it attractive to his target audience, the Luo of the 1990s? Is there something about the Luo of the 1990s that predisposed them to this music? In the course of answering these--and related--questions, this volume analyzes Okatch Biggy's songs as works of art, that is, by identifying the aesthetic and rhetorical conventions that are deployed in the songs, and explores the central messages that t. | ||
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 505 | 0 | |a Intro; Dedication; Table of Contents; Acknowledgements; Chapter I; Chapter II; Chapter III; Chapter IV; Chapter V; Chapter VI; Chapter VII; References | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Popular music |z Kenya |y 1991-2000 |x History and criticism. | |
| 650 | 6 | |a Musique populaire |z Kenya |y 1991-2000 |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Kenya |2 fast | |
| 648 | 7 | |a 1991-2000 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |t Popular music, ethnicity and politics in the Kenya of the 1990s. |d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2019 |z 1527526747 |z 9781527526747 |w (OCoLC)1085160245 |
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