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00000cam a2200000 i 4500 |
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EBSCO_on1086308540 |
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OCoLC |
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20231017213018.0 |
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|a 9781635500387
|q (electronic book)
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|a 1635500389
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|z 9781635500370
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|z 1635500370
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|a (OCoLC)1086308540
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|a MT820
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|a UAMI
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|a Spivey, Norman,
|e author.
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1 |
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|a Cross-training in the voice studio :
|b a balancing act /
|c Norman Spivey, Mary Saunders Barton ; illustrations by Mark Uhre.
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264 |
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|a San Diego, CA :
|b Plural Publishing, Inc.,
|c [2018]
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264 |
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|c ©2018
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300 |
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|a 1 online resource (xii, 151 pages) :
|b illustrations, music
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336 |
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|a text
|b txt
|2 rdacontent
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|a Includes bibliographical references.
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|a How did we come to this? -- Cross-training vs. crossover -- The balancing act of registration and resonance -- Cross-training through repertoire -- From the ivory tower to the trenches -- It takes a village -- The way forward.
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520 |
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|a This innovative resource for teachers and students of singing offers an inside view of an applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices - the essence of their philosophy of ""bel canto can belto, "" embracing classical and vernacular styles.
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|a Cross-Training in the Voice Studio: A Balancing Act is an innovative resource for teachers and students of singing in today's evolving professional landscape. Saunders Barton and Spivey offer an inside view of their applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices - the essence of their philosophy of "bel canto can belto," embracing classical and vernacular styles. Key Features In-depth chapter on resonance/registration for voice building Cross-training in the academic vs. the private studio Cross-training with repertoire Coverage of multi-disciplinary training: how acting, speech, movement, and dance support studio effort Video examples of student recordings to enhance concepts within the text Cross Training in the Voice Studio: A Balancing Act is a must-read for anyone in the singing profession seeking insight on cross-training.
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|a Online resource; title from PDF title page (EBSCO, viewed February 19, 2019).
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Singing
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|a Chant
|x Étude et enseignement.
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|a MUSIC
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|x Voice.
|2 bisacsh
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|
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|a Singing
|x Instruction and study
|2 fast
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700 |
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|a Saunders-Barton, Mary,
|e author.
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700 |
1 |
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|a Uhre, Mark,
|e illustrator.
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776 |
0 |
8 |
|i Print version:
|a Spivey, Norman.
|t Cross-training in the voice studio.
|d San Diego, CA : Plural Publishing, Inc., [2018]
|z 9781635500370
|w (DLC) 2018005894
|w (OCoLC)1016016100
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856 |
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938 |
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