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Paintingdigitalphotography : synthesis and difference in the age of media equivalence /
We live in a digital age where the mediums of art are inextricably bound to the binary code, and painting and photography are redefined in their interconnected relationship through digital reconfiguration. As digitisation unmoors these mediums from their traditional supports, their modes of producti...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Paintingdigitalphotography : |b synthesis and difference in the age of media equivalence / |c edited by Carl Robinson. |
| 246 | 3 | |a Painting digital photography | |
| 264 | 1 | |a Newcastle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xiv, 279 pages, 12 unnumbered pages of plates) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "Born out of the PaintingDigitalPhotography conference, held at QUAD Derby, UK, in May 2017, this anthology of essays investigates aspects of interconnectivity between painting, digital and photography in contemporary art practices"--Cover | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a We live in a digital age where the mediums of art are inextricably bound to the binary code, and painting and photography are redefined in their interconnected relationship through digital reconfiguration. As digitisation unmoors these mediums from their traditional supports, their modes of production, display and dissemination shift. These changes bring about new ways of creating, and engaging with, artworks. Through this, the innate qualities of the mediums, previously anchored in their analogue nature, are re-evaluated through their connection with the digital. Born out of the PaintingDigitalPhotography conference, held at QUAD Derby, UK, in May 2017, this anthology of essays investigates aspects of interconnectivity between painting, digital and photography in contemporary art practices. It contributes to critical discourses around networks of associations by examining where syntheses occur, and differences remain, between these mediums at the beginning of the twenty first century. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 5, 2019). | |
| 505 | 0 | |a Intro; Table of Contents; List of Illustrations; Acknowledgements; Introduction; The Archaea; Programming Light; Could It Be Painting? Definitions, Symptoms (And Digital Retouching); Painting the Digital River; The Process the Photograph is Threaded Through; Disrupting Space; The Painted Photograph; Strokes and Stripes; Twofoldness/Threefoldness; Painting in the Digital Age; Wade Guyton; Contributors; Index | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Photography |x Digital techniques. | |
| 650 | 0 | |a Painting |x Digital techniques. | |
| 650 | 6 | |a Photographie numérique. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Photography |x Digital techniques |2 fast | |
| 650 | 7 | |a Painting |x Digital techniques |2 fast | |
| 650 | 7 | |a Multimedia (Art) |2 fast | |
| 700 | 1 | |a Robinson, Carl, |d 1958- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Paintingdigitalphotography. |d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018 |z 1527511103 |z 9781527511101 |w (OCoLC)1035504876 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2018107 |z Texto completo |
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5674752 | ||
| 938 | |a EBSCOhost |b EBSC |n 2018107 | ||
| 938 | |a eLibro |b ELBO |n ELB119497 | ||
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| 994 | |a 92 |b IZTAP | ||