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Kam women artisans of China : dawn of the butterflies /

Deep in the fir woods of southwestern China, in a village called Dimen, live several women who are masters of many cultural arts. Following the centuries-old lifestyle of their ancestors, they are the living repositories of their civilization. They carry the unwritten history and wisdom of the Kam p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lee, Marie Anna (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Publishing, 2018.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface: Arrival
  • 1. Introduction
  • 1.1. Broken thread: heritage that survival centuries about to be forgotten
  • 1.2 Finding the story's thread: preceding projects
  • 1.3 Tying the knot: apprenticeship
  • 1.4 Weaving the tale: matriarchs' lessons, big and small
  • 2. Places and faces
  • 2.1. The 'hidden' Kam: the Kam ethnic group
  • 2.2. Dimen, the Kam spring: Dimen highlights
  • 2.3 The 'living' museum: Dimen Dong Cultural Eco Museum
  • 3. The living legends
  • 3.1. The Za at a glance: five matriarchs I apprenticed with
  • 3.2. Wu Meitz: the humble wealth of knowledge who never judges the younger generations
  • 3.3 Wu Gaitian: the only one who remembers the origin of all beings
  • 3.4. Wu Mnci: the widow who raised five sons and sang through it
  • 3.5. Wu Yingniang: the one who sees once and remembers everything
  • 3.6. Wu Huazhuan: the orphan who never went to school but learned it all
  • 4. Papermaking
  • 4.1. Paper magic: magic of Kam paper
  • 4.2. Bark stripping: separating bark layers with a sickle
  • 4.3. Mulberry hunt: finding mulberry tree branches
  • 4.4. Endless mashing: making paper
  • 4.5. Different processes, same results: slightly different techniques to make paper
  • 4.6. Little books to store her treasures: making paper purses
  • 5. Back-strap loom
  • 5.1. Weaving ABCs: introduction to weaving and back-strap looms
  • 5.2. Liping interlude: gathering with Wu Mnci and her family in Liping
  • 5.3. Colorful threading: making a back-strap loom and warping it
  • 5.4. Flower my belts: weaving 'flower' belts on a back-strap loom
  • 5.5. Baby steps: we weave a simple pattern on a back-strap loom
  • 5.6. After all, practice makes perfect: restretching warp on a back-strap loom and making secondary heddles
  • 6. Spinning and preparing thread
  • 6.1. From flowers to fabric: making Kam fabric
  • 6.2. Yarn beyond compare: spinning yarn from ramie fibers
  • 6.3. Sunny twists: preparing cotton thread
  • 6.4. Songs and cones: winding threads on cones and preparing the warp
  • 7. Frame loom
  • 7.1. Great-great-grandmother's loom: Wu Meitz tells the history of her loom
  • 7.2. Let the timber sing: Kam loom anatomy
  • 7.3. Dressing the loom: beaming the warp and preparing the loom
  • 8. From back-strap to frame loom
  • 8.1. Breaking the back on warping benches: warping a frame loom to make narrow drawstrings
  • 8.2. Drawstring as an art form: weaving narrow decorative drawstrings on a frame loom
  • 9. Indigo paste
  • 9.1. Indigo blues: indigo around the world
  • 9.2. Two tales of orphaned girls: taboo surrounding indigo
  • 9.3. Four seasons: taking care of indigo plants
  • 9.4. Making the Kam gold: preparing indigo paste
  • 10. Indigo vat
  • 10.1. Grandmother's bath: preparing an indigo dyebath
  • 10.2. Blue do-over: redoing indigo dyebath
  • 10.3. Sometimes others know better: Miao people's indigo dyebath
  • 11. Dying the indigo
  • 11.1 Blue nails are in: dying hand-made cloth in indigo
  • 11.2. Dye, dye, dye some more: second indigo dyeing lesson
  • 11.3. Interlude: feast for a baby: we visit a baby celebration
  • 11.4. Loop backwards: I hang the cloth the wrong way
  • 11.5. Our blues of the blues: we dye in our vat, unassisted
  • 12. Post-indigo treatment
  • 12.1. Stiff beans: treating the cloth with bean starch
  • 12.2. Mountain goats: finding roots and leaves to make red dye
  • 12.3. Red to black: making red dyestuff and apply it to indigo-dyed cloth
  • 12.4. Ox sludge: making ox skin liquid and treating the fabric with it
  • 13. Pleated skirt
  • 13.1. Sticky flutes: pleating fabric for a skirt
  • 13.2. Itchy hair: sewing pleats together and stiffening the skirt in ox skin liquid
  • 13.3. Hollow buckets: steaming the skirt pleats and dyeing them in indigo
  • 13.4. Sticky stiching: hand-sewing the skirt
  • 14. Embroidery
  • 14.1. Sunflowers and moths: Kam embroidery
  • 14.2. The ageless under-apron: under-apron made more than sixty-five years ago
  • 14.3. Bridge super sampler: Wu Mnci shows her embroidery
  • 14.4. Flower past blossom: satin stitch embroidery technique
  • 14.5. Glasses rule: embroidering with Wu Huazhuan and her friends
  • 14.6. A butterfly needs flowers to live: embroidering a hat
  • 14.7. Feng Shui master's patterns: cutting embroidery patterns
  • 14.8. Centipedes, dragons, and snakes: Dimen motifs
  • 15. Garments
  • 15.1. Made in China, by the Kam: introduction to Kam garments in Dimen
  • 15.2. Subtle patterns: sewing patterns for a jacket
  • 15.3. Who needs tailor's chalk?: Cutting fabric
  • 15.4. Not my grandma's sewing machine: sewing a jacket
  • Birds in song: sewing an under-apron and calf-wraps
  • 15.6. Dragon shoes: making pointed cloth shoes
  • 16. "Kamness" in making
  • 16.1. Dinner that made us family: how we earned a place by serving the women
  • 16.2. The whole package: learning from the lifestyle
  • 16.3. Different times, different songs: Kam songs
  • 16.4. Dramatic didactics: Kam opera
  • 16.5. No nails needed: Kam architecture
  • 16.6 Haven no more: impact of industrialization and globalization
  • 16.7. Building bridges: hope for the future
  • 16.8. Butterfly songs: how the Za found their voice
  • Glossary
  • Kam vocabulary
  • Conversion chart
  • Bibliography
  • Index
  • Acknowledgments.