Chiaroscuro als ästhetisches Prinzip : Kunst und Theorie des Helldunkels 1300-1550 /
"In the Italian theory of art of the Renaissance, the term chiaroscuro refers to the articulation of sculptural qualities, i.e. rilievo. By contrast, paintings in the northern Alpine region tended to create the depth by using light-dark effects. The book deals with chiaroscuro as an aesthetic p...
Clasificación: | Libro Electrónico |
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Otros Autores: | , , , |
Formato: | Electrónico eBook |
Idioma: | Alemán Inglés Francés |
Publicado: |
Berlin ; Boston :
De Gruyter,
[2018]
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Temas: | |
Acceso en línea: | Texto completo |
MARC
LEADER | 00000cam a2200000 i 4500 | ||
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001 | EBSCO_on1083671194 | ||
003 | OCoLC | ||
005 | 20231017213018.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 190131s2018 gw ah ob 001 0 ger d | ||
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019 | |a 1054880626 | ||
020 | |a 9783110547351 |q (electronic bk.) | ||
020 | |a 311054735X |q (electronic bk.) | ||
020 | |a 9783110547320 | ||
020 | |a 3110547325 | ||
020 | |z 9783110500356 | ||
020 | |z 3110500353 | ||
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072 | 7 | |a ART |x 015000 |2 bisacsh | |
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084 | |a ART000000 |a ART015000 |a ART007000 |a ART015080 |a ART051000 |2 bisacsh | ||
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245 | 0 | 0 | |a Chiaroscuro als ästhetisches Prinzip : |b Kunst und Theorie des Helldunkels 1300-1550 / |c Claudia Lehmann, Norberto Gramaccini, Johannes Rössler und Thomas Dittelbach (Hrsg.). |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2018] | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (426 pages) : |b illustrations (some color), facsimiles | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file | ||
347 | |b PDF | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Helldunkel statt Farbe. Sind niederländische Grisaillemalereien eine Schwierigkeit oder eine Leichtigkeit? / |r Stephan Kemperdick -- |t Peint à ymaiges de blanc et de noir. Beobachtungen zum chiaro e scuro der Grisaille in der niederlàndischen Buchmallerei / |r Joris Corin Heyder -- |t Sandro Botticelli als Apelles und als Grisaillemaler. Petronius' "Monocremos" als Inspiration für die Selbsttreferentialität der Malerei? / |r Frank Zöllner -- |t Das Helldunkel, das Verhältnis von Natur und Kunst und die Frage der materia bei Leon Battista Alberti / |r Jennifer Bleek -- |t Scholastic Aesthetics and the medieval 'origins' of relief/rilievo / |r Christopher R. Lakey -- |t Helldunkelrelief. Leonardos da Vinci anima della pittura und Aristoteles' Poetik / |r Albert Boesten-Stengel -- |t Emphasis. On light, dark, and distance / |r David Summers -- |t Three types of Chiaroscuro and their artistic contexts in European and Chinese painting / |r Hu Wei -- |t Tratti, che servono per l'ombre. Drei Deutungsansätze frühneuzeitlicher Betrachtung von Schraffur und chiaroscuro / |r Elvira Bojilova -- |t Am Übergang zum Sichbaren. Graphische Techniken und das Helldunkel / |r Iris Brahms -- |t Farbe, Gold und Teig. Druckgraphische Experimente im 15. und 16. Jahrhundert / |r Lothar Schmitt -- |t Hell/Dunkel/Grau. Rilievo schiacciato und chiaroscuro / |r Iris Wenderholm -- |t Chiaroscuro- A matter of light and dark? Some remarks on sexteenth-century sculpture and the language of art north of the Alps / |r Emile van Binnebeke -- |t Gravures en couleurs "XXL". Une monumentalité picturale? / |r Séverine Lepape -- |t Farbreduktion und Fiktionalität in der Skulptur und den graphischen Künsten des 15. und 16. Jahrhunderts / |r Britta Dümpelmann -- |t Studien in Terra verde. Bedeutungsebenen grünmonochromer Malerei der italienischen Renaissance / |r Almut Schäffner-Knoblach -- |t Emphatic presence: Architectural chiaroscuro / |r Mari Yoko Hara -- |t Istoriette di chiaroscuro. Monochromatic details in Roman fresco decoration of the sixteenth century / |r Monica Latella. |
520 | |a "In the Italian theory of art of the Renaissance, the term chiaroscuro refers to the articulation of sculptural qualities, i.e. rilievo. By contrast, paintings in the northern Alpine region tended to create the depth by using light-dark effects. The book deals with chiaroscuro as an aesthetic principle, which should be understood as the key signature of European art history as a whole between 1300 and 1600"-- |c Provided by publisher | ||
546 | |a Contributions in German, English, and French. | ||
588 | 0 | |a Print version record. | |
590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
650 | 0 | |a Chiaroscuro. | |
650 | 0 | |a Art, Italian. | |
650 | 0 | |a Art, Renaissance |z Italy. | |
650 | 0 | |a Art, European |y To 1600. | |
650 | 0 | |a Aesthetics, European. | |
650 | 6 | |a Clair-obscur. | |
650 | 6 | |a Art italien. | |
650 | 6 | |a Art de la Renaissance |z Italie. | |
650 | 6 | |a Art européen |y Jusqu'à 1600. | |
650 | 6 | |a Esthétique européenne. | |
650 | 7 | |a chiaroscuro. |2 aat | |
650 | 7 | |a chiaroscuro woodcuts. |2 aat | |
650 | 7 | |a ART |x General. |2 bisacsh | |
650 | 7 | |a ART |x History |x General. |2 bisacsh | |
650 | 7 | |a ART |x Color Theory. |2 bisacsh | |
650 | 7 | |a ART |x History |x Renaissance. |2 bisacsh | |
650 | 7 | |a ART |x Techniques |x Color. |2 bisacsh | |
650 | 7 | |a Aesthetics, European |2 fast | |
650 | 7 | |a Art, European |2 fast | |
650 | 7 | |a Art, Italian |2 fast | |
650 | 7 | |a Art, Renaissance |2 fast | |
650 | 7 | |a Chiaroscuro |2 fast | |
651 | 7 | |a Italy |2 fast | |
648 | 7 | |a To 1600 |2 fast | |
700 | 1 | |a Lehmann, Claudia, |d 1970- |e editor. | |
700 | 1 | |a Gramaccini, Norberto, |e editor. | |
700 | 1 | |a Rössler, Johannes, |e editor. | |
700 | 1 | |a Dittelbach, Thomas, |e editor. | |
776 | 0 | 8 | |i Print version: |t Chiaroscuro als ästhetisches Prinzip. |d Berlin ; Boston : De Gruyter, [2018] |z 9783110500356 |w (DLC) 2018009471 |w (OCoLC)1033548909 |
856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1893615 |z Texto completo |
938 | |a De Gruyter |b DEGR |n 9783110547320 | ||
938 | |a EBSCOhost |b EBSC |n 1893615 | ||
994 | |a 92 |b IZTAP |