Music on stage. Volume III /

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The Music on Stage conferences are a unique engine for interdisciplinary interaction, which is reflected in this compendium of the latest research by international scholars. Scholars and practitioners of operas by Handel, Mozart, Thomas, Chabrier, Korngold and Taktakishvili will find new ""...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: Music on Stage (Conference)
Otros Autores: Schopf, Fiona Jane (Editor )
Formato: Electrónico Congresos, conferencias eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Publishing, 2018.
Temas:
Wagner, Richard, > 1813-1883 > In motion pictures > Congresses.
Wagner, Richard, > 1813-1883
Opera > Congresses.
Popular music > Congresses.
Music > Performance > Congresses.
Music > Congresses.
Musique populaire > Congrès.
Musique > Exécution > Congrès.
Musique > Congrès.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
Motion pictures
Music
Music > Performance
Opera
Popular music
Conference papers and proceedings
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction / Fiona Jane Schopf
  • Chapter one. Opera arias on and off the stage : the strange case of Handel's "Lascia ch'io pianga" / Tim Carter
  • Chapter two. Pocket opera, the new discipline and public space : the intermedia composer Brigitta Muntendorf and "Practical Aesthetics" / Karl Katschthaler
  • Chapter three. The "Easthetics" of Laibach / Simon Bell
  • Chapter four. Re-presenting the beautiful/insane : filmic Ekphrasis and the staging of Ophélie's mad scene from Thomas' Hamlet (1898) at the Met / Melissa Gerber
  • Chapter five. "Playing it straight" : subverting Travesti identities in Chabrier's L'étoile / Elisabeth Honn Hoegberg
  • Chapter six. Harems, pashas, and mistaken identities : mis/representations of the Orient in Western adaptations of Mozart's Die Entführung aus dem Serail / Julia Szoltysek
  • Chapter seven. Feminine arms, goat legs, and little monkeys : performing masculinity in Daphnis et Chloé / Russell Millard
  • Chapter eight. Interpreting dreams : Korngold's "Pierrot-Lied" in perspective / Kate Stringer
  • Chapter nine. Otar Taktakishvili's Mindia : idea, tradition, style / Maia Sigua
  • Chapter ten. Loud rock music? Live sound on stage, 1967-1973 / Sergio Pisfil
  • Chapter eleven. The political evolution of Copla / Alejandro Postigo
  • Chapter twelve. Imaging Wagner's leitmotif technique / Fiona Jane Schopf
  • Chapter thirteen. Light and truth : an exploration of light in opera / Hansjörg Schmidt
  • Chapter fourteen. Sound and emotions : the theory of musical equilibration / Daniela Willimek and Bernd Willimek.

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