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|a Antipodean antiquities :
|b classical reception down under /
|c edited by Marguerite Johnson.
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|a London :
|b Bloomsbury Academic,
|c [2019]
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|a Bloomsbury studies in classical reception
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|a Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on modern literature, film, theatre and fine art, this volume fills a decisive gap in the literature by bringing antipodean research into the spotlight. Following a contextual introduction to the field, the six parts of the volume explore the latest research on subjects that range from the Lord of the Rings and Xena: Warrior Princess franchises to important artists such as Sidney Nolan and local authors whose work offers opportunities for cross-cultural and interdisciplinary analysis with well-known Western authors and artists.
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|a Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; FIGURES; CONTRIBUTORS; INTRODUCTION; PART I THE COLONIAL PAST -- CLASSICAL INFLUENCES IN WHITE AUSTRALASIA; CHAPTER 1 BLACK OUT: CLASSICIZING INDIGENEITY IN AUSTRALIA AND NEW ZEALAND; The Monograph of John Hunter (1793); 'A Native Wounded while asleep'; 'New Zealand War Canoe bidding defiance to the Ship'; Black Out; CHAPTER 2 AUSTRALIA AS UNDERWORLD: CONVICT CLASSICS IN THE NINETEENTH CENTURY; Introduction; Infernal geography; A 'jaunty Dantesquerie'; 'As great a tyrant as Nero ever was'; The afterlife
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|a PART II THEATRE -- THEN AND NOWCHAPTER 3 AGAMEMNON COMES TO THE ANTIPODES: THE ORIGINS OF STUDENT DRAMA AT THE UNIVERSITY OF SYDNEY; Live on stage: a new departure; The earliest classical play at the University of Sydney; The first Agamemnon; Staging the play; The performances; From Agamemnon to a dramatic society; CHAPTER 4 SALAMIS AND GALLIPOLI: THE CAMPAIGNS OF PHILLIP MANN; CHAPTER 5 WESLEY ENOCH'S BLACK MEDEA; Euripides' Medea6; Enoch and Euripides; The Landscape of Jukurrpa; CHAPTER 6 WHAT WOMEN CRITICS KNOW THAT MEN DON'T; A theatrical frame; The comments; Afterlife
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|a PART III POETRY AND CLASSICAL ECHOES IN NEW ZEALANDCHAPTER 7 JAMES K. BAXTER AND THE GORGON MOON; CHAPTER 8 CLODIA THROUGH THE LOOKING GLASS; PART IV FICTIONALIZING ANTIPODEAN ANTIQUITIES; CHAPTER 9 PARILIA POSCOR -- DAVID MALOUF REMEMBERS THE PARILIA (FASTI 4.721FF.); Exiles and aetiologies: The Parilia in Augustan poetry; The repetition of ritual: Frazer and the Fasti; The Parilia in Tomis; CHAPTER 10 IMAGINATIVE DISPLACEMENT: CLASSICAL RECEPTION IN THE YOUNG ADULT FICTION OF MARGARET MAHY; Suburban Classical: The Changeover; Harry and the Minotaur: The Tricksters
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|a 'Partly mythological': The Catalogue of the UniverseMemory and the modern city; Holding the world together; CHAPTER 11 CLASSICAL INFLUENCES IN BERNARD BECKETT'S GENESIS, AUGUST AND LULLABY; Genesis; August; Lullaby; New Zealand settings and current topics; Philosophical questions; CHAPTER 12 DISPLACED PERSONS AND DISPLACED NARRATIVES IN S.D. GENTILL'S HERO TRILOGY; PART V AUSTRALASIA, GREECE AND ROME -- PAPER AND CANVAS; CHAPTER 13 PAINTING ANZACS IN AN EPIC LANDSCAPE: GREEK MYTH, THE TROJAN WAR AND SIDNEY NOLAN'S GALLIPOLI SERIES; The Trojan War, 1915; 'The Trojan War, 1915' -- Arthur Adams3
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|a Painting an epic landscape'Gallipoli'; Ancient Greek art and mutilated Anzacs; CHAPTER 14 OF HEROES AND HUMANS: MARIAN MAGUIRE'S COLONIZATION OF HERAKLES' MYTHICAL WORLD; Scholarship and exhibitions; Narrative and time in the series; The lithographs; Conclusion; PART VI ANTIQUITY ON THE AUSTRALASIAN SCREEN; CHAPTER 15 TEMPORAL TURBULENCE: RECEPTION STUDIES(') NOW; Turbulent temporality; Xena: Warrior Princess; Xena 's turbulent temporalities; CHAPTER 16 CLASSICAL EPIC IN PETER JACKSON'S MIDDLE-EARTH TRILOGIES; Introduction; Tolkien, Jackson and epic heroism; The ending of epic
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|a Johnson, Marguerite,
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