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Diversity counts : gender, race, and representation in Canadian art galleries /

"Despite the common belief that the art galleries will naturally become more gender equitable over time, the fact is that many art institutions in Canada have become even less so over the last decade, with female artists making up less than twenty-five per cent of the contemporary exhibitions o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dymond, Anne (Autor)
Formato: eBook
Idioma:Inglés
Publicado: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2019.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dymond, Anne,  |e author. 
245 1 0 |a Diversity counts :  |b gender, race, and representation in Canadian art galleries /  |c Anne Dymond. 
264 1 |a Montreal ;  |a Kingston ;  |a London ;  |a Chicago :  |b McGill-Queen's University Press,  |c 2019. 
300 |a 1 online resource 
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588 0 |a Online resource; title from PDF title page (EBSCO, viewed May 7, 2019) 
504 |a Includes bibliographical references and index. 
520 |a "Despite the common belief that the art galleries will naturally become more gender equitable over time, the fact is that many art institutions in Canada have become even less so over the last decade, with female artists making up less than twenty-five per cent of the contemporary exhibitions of several major galleries. In the first large-scale overview of gender diversity in Canadian art exhibitions, Anne Dymond makes a persuasive plea for more consciously equitable curating. Drawing on data from nearly one hundred institutions, Diversity Counts reveals that while some galleries are relatively equitable, many continue to marginalize female and racialized artists. The book pursues an interdisciplinary approach, considering the art world's resistance to numeric data, discourses on representation and identity, changing conceptualizations of institutional responsibility over time, and different ways particular institutions manage inclusion and exclusion. A thoughtful examination of the duty of public galleries to represent underserved communities, Dymond's study bravely navigates the unspoken criteria for acceptance in the curatorial world. Demonstrating how important hard data is for inclusivity, Diversity Counts is a timely analysis that brings the art world up to date on progressive movements for social transformation."--  |c Provided by publisher 
505 0 0 |t Front Matter --  |t Contents --  |t Tables and Figures --  |t Preface --  |t Acknowledgments --  |t Counting Gender: A Statistical Overview of Gender in Solo Shows of Contemporary Art in Canada, 2000-10 --  |t "We're Only Interested in Excellence. We Don't Care Who Makes It": Thinking Through Diversity at the National Gallery of Canada --  |t Let's Hear It for the Boys! Vancouver and Diversity --  |t Toronto the Not-So-Good --  |t Hard Facts and Soft Power: Rhetoric, Reality, and Influence in Montreal --  |t Conclusion: Calls to Action --  |t List of institutions in data set and their solo contemporary exhibitions by gender --  |t Notes --  |t Bibliography --  |t Index 
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