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Techne theory : a new language for art /
"Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill an...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York, NY :
Bloomsbury Academic,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Staten, Henry, |d 1946- |e author. | |
| 245 | 1 | 0 | |a Techne theory : |b a new language for art / |c Henry Staten. |
| 264 | 1 | |a London ; |a New York, NY : |b Bloomsbury Academic, |c 2019. | |
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| 520 | |a "Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means."--Bloomsbury Publishing | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Acknowledgements -- Part One: Fundamentals Chapter 1: Introduction: The Techne Standpoint -- Chapter 2: Art and Evolution -- Chapter 3: The Artist's Touch -- Part Two: Origins in Greek Philosophy Chapter 4: How Plato (Despite Himself) Invented Techne Theory -- Chapter 5: From Aristotle to Extended Mind -- Part Three: Where Do Poems Come From? Chapter 6: A Romantic View: Seamus Heaney -- Chapter 7: Excursus on the Nature of Language -- Chapter 8: An Anti-Romantic View: Paul Valéry -- Part Four: Studies in Modernist Techne Chapter 9: T.J. Clark's Picasso -- Chapter 10: What's Radical About Radical Painting? -- Chapter 11: The Techne of Kafka's Metamorphosis -- Part Five: Techne Metatheory Chapter 12: Universal Design Space and the Lines of Force -- Bibliography -- Index. | |
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| 650 | 0 | |a Creative ability |x Philosophy. | |
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| 650 | 6 | |a Créativité |x Philosophie. | |
| 650 | 7 | |a Philosophy. |2 bicssc | |
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| 650 | 7 | |a Philosophy: aesthetics. |2 bicssc | |
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| 650 | 7 | |a Creative ability |x Philosophy. |2 fast |0 (OCoLC)fst00882421 | |
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| 650 | 7 | |a Literaturproduktion |2 gnd | |
| 650 | 7 | |a technē |2 gnd | |
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