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Transmedia storytelling : Pemberley Digital's adaptations of Jane Austen and Mary Shelley /

This volume charts the evolution of Pemberley Digital's transmedia adaptations of nineteenth-century novels in order to interrogate the uneasy relationship between transmedia storytelling and consumer culture. It first examines two Austen-centered films, Lost in Austen and Austenland, that pres...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Camden, Jennifer (Autor), Oestreich, Kate Faber (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Transmedia storytelling :  |b Pemberley Digital's adaptations of Jane Austen and Mary Shelley /  |c by Jennifer Camden and Kate Faber Oestreich. 
264 1 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Publishing,  |c 2018. 
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300 |a 1 online resource (182 pages) 
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504 |a Includes bibliographical references (pages 155-177) and index. 
505 0 0 |g Introduction:  |t "And of this place I might have been mistress": adaptations of nineteenth-century novels in film and transmedia --  |g Chapter 1.  |t Austenland and Lost in Austen: plunging into adaptations, immersion, and desire --  |g Chapter 2.  |t Lizzie Bennet Diaries: (ad)dressing and monetizing secrecy in transmedia storytelling --  |g Chapter 3.  |t Welcome to Sanditon: engaging fans in collaborative writitng --  |g Chapter 4.  |t Emma Approved: capitalizing on "woman's usual occupations"? --  |g Chapter 5.  |t Frankenstein MD: mothering the monster, or feminism and bioethics --  |g Conclusion:  |t The future of digital storytelling: after Pemberley Digital. 
520 8 |a This volume charts the evolution of Pemberley Digital's transmedia adaptations of nineteenth-century novels in order to interrogate the uneasy relationship between transmedia storytelling and consumer culture. It first examines two Austen-centered films, Lost in Austen and Austenland, that present "immersive" Austen experiences that anticipate Pemberley Digital's transmedia adaptations, bridging traditional film adaptations and transmedia's participatory culture. Subsequent chapters turn to Pemberley Digital's transmedia adaptations of Austen's and Shelley's novels to argue that, although such adaptations may appear feminist in their emphasis on female protagonists, their larger narratives expose a subtext of anxiety about unstable gender roles, financial vulnerability, and the undervaluation of career-specific skill sets, both for the characters and the production company itself.--  |c Publisher's website 
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