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EBSCO_on1078875489 |
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OCoLC |
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181213s2019 nyua ob 001 0 eng d |
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|a 9781501344114
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|2 23
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|a UAMI
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100 |
1 |
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|a Bennett, Samantha
|c (Music professor),
|e author.
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245 |
1 |
0 |
|a Modern records, maverick methods :
|b technology and process in popular music record production 1978-2000 /
|c Samantha Bennett.
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264 |
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1 |
|a New York, NY :
|b Bloomsbury Academic,
|c 2019.
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300 |
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|a 1 online resource (vii, 246 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Includes bibliographical references (pages 217-233) and index.
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|a Constructing records : sound recording and production technologies at the turn of the 1980s -- The sound of technology : machines and formats that transformed mid-late 1980s popular music -- Technological hybridity : conflations of analogue, digital, the cutting edge, and the vintage in the 1990s -- Maverick methods : tech-processual unorthodoxies in contemporary record production -- Sound recordists in flux : the diversification of the recording and production role -- Sound minds : mapping recordists' attitudes -- Analysing technology and process in popular music recordings : a tech-processual methodology.
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|a Online resource; title from digital title page (EBSCOhost, August 29, 2022)
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|a "From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance, and alternative musics from artists such as the Beastie Boys, Madonna, U2, and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux."--Bloomsbury Publishing
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Popular music
|x Production and direction
|x History
|y 20th century.
|
650 |
|
0 |
|a Sound recordings
|x Production and direction
|x History
|y 20th century.
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650 |
|
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|a Rock & Pop music.
|2 bicssc
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650 |
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|a Music recording & reproduction.
|2 bicssc
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650 |
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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650 |
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7 |
|a Sound recordings
|x Production and direction.
|2 fast
|0 (OCoLC)fst01127057
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648 |
|
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|a 1900-1999
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
776 |
0 |
8 |
|i Print version:
|a Bennett, Samantha (Music professor).
|t Modern records, maverick methods.
|d New York, NY : Bloomsbury Academic, 2019
|z 9781501344107
|w (DLC) 2018039904
|w (OCoLC)1050140448
|
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