Mute Records : artists, business, history /

"Mute Records is one of the most influential, commercially successful, and long-lasting of the British independent record labels formed in the wake of the late-1970's punk explosion. Yet, in comparison with contemporaries such as Rough Trade or Stiff, its legacy remains under-explored. Thi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Beaven, Zuleika, O'Dair, Marcus, Osborne, Richard, 1967-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Bloomsbury Academic, 2019.
Temas:
Mute (Record label)
Electronica (Music) > History and criticism.
Noise music > History and criticism.
Alternative rock music > History and criticism.
Électronica (Musique) > Histoire et critique.
Noise (Musique) > Histoire et critique.
Rock alternatif > Histoire et critique.
Music industry.
Music recording & reproduction.
Rock & Pop music.
BUSINESS & ECONOMICS > Industries > Media & Communications.
TECHNOLOGY & ENGINEERING > Telecommunications.
Alternative rock music.
Electronica (Music)
Noise music.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • List of plates
  • List of figures
  • Permissions
  • List of contributors
  • Acknowledgments
  • Introduction: Mute Records / Richard Osborne and Zuleika Beaven
  • 1. 'Let's make love before you die': 'Warm leatherette', Boredom and the invention of the 1980s / S. Alexander Reed, Ithaca College, USA
  • 2. 'One man's meat': Fad Gadget's social commentary and post-punk / Giuseppe Zevolli, King's College, UK
  • 3. Fans of faith and devotion: obsession, nostalgia and Depeche Mode / Andy Pope, Independent Researcher
  • 4. Depeche Mode and Soft Cell: redefining the prologue of the Mute and some bizzare record labels / Leon Clowes, Goldsmiths, University of London, UK
  • 5. Throbbing Gristle's early records: post-hippie/pre-punk/post-punk / John Encarnacao, Western Sydney University, Australia
  • 6. 'Join that troubled chorus': Nick Cave, the Bad Seeds, and the blues / Ross Cole, University of Cambridge, UK
  • 7. Mark Stewart: 'Somewhere' / Eddie George, Goldsmiths, University of London, UK
  • 8. 'Sometimes, always': erasure, Mute and the value of independence / Brenda Kelly, Independent Researcher
  • 9. Outside Mute? Ut, No Wave and Blast First / Ieuan Franklin, Bournemouth University, UK
  • 10. The mash-up of aesthetics, theory and politics in Laibach's meta-sound / Aténé Mendelyté, Lund University, Sweden
  • 11. 'The blessed glow of labour': independence, style and process in the music of Swans / Dean Lockwood, University of Lincoln, UK
  • 12. Moby, minstrelsy and Melville / Richard Osborne, Middlesex University, UK
  • 13. 'Country girl': rural feminism in the performance of Alison Goldfrapp / Lucy O'Brien, University of the Creative Arts, UK
  • 14. Twist: Goldfrapp's genre perversion / Glyn Davis, University of Edinburgh, UK
  • 15. Arca: Mute's mutant / Mark Waugh, Anglia University, UK
  • 16. Composing in circuitry: sonic artist dirty electronics / Lourdes N. Crosby García, Full Sail University, USA
  • Index.

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