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00000cam a2200000 i 4500 |
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EBSCO_on1078875085 |
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|a 9781628927016
|q (electronic book)
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|a 1628927011
|q (electronic book)
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|z 9781623564940
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|a (OCoLC)1078875085
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|a ML3845
|b .G56 2019
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|a MUS
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|a 780
|2 23
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|a UAMI
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|a Glover, Richard
|c (Composer),
|e author.
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1 |
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|a Being time :
|b case studies in musical temporality /
|c Richard Glover, Jennie Gottschalk, and Bryn Harrison.
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|a New York, NY :
|b Bloomsbury Academic,
|c 2019.
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|c ©2019
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|a 1 online resource (vi, 189 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references and index.
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|a Online resource; title from digital title page (viewed on January 18, 2019).
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|a Introduction -- Foreshadowing and recollection : listening through Morton Feldman's Piano, violin, viola, cello / Bryn Harrison ; Postlude to Chapter one / Richard Glover -- Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics / Bryn Harrison ; Postlude to Chapter two / Jennie Gottschalk -- Separation and continuity in Chiyoko Szlavnics' Gradients of detail / Richard Glover ; Postlude to Chapter three / Jennie Gottschalk -- Filtering temporality in Ryoji Ikeda's +/- / Richard Glover ; Postlude to Chapter four / Bryn Harrison -- Granulated time : Toshiya Tsunoda's O kokos tis anixis / Jennie Gottschalk ; Postlude to Chapter five / Bryn Harrison -- Monoliths : Laurie Spiegel's The expanding universe and André O. Möller's Musik für Orgel und eine(n) Tonsetzer(in) / Jennie Gottschalk ; Postlude to Chapter six / Richard Glover -- Observations on musical behaviors and temporality -- Epilogue.
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|a "Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives."--Bloomsbury Publishing.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Music
|x Philosophy and aesthetics.
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650 |
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|a Musique
|x Philosophie et esthétique.
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650 |
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a MUSIC
|x Reference.
|2 bisacsh
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650 |
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|a Music
|x Philosophy and aesthetics
|2 fast
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700 |
1 |
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|a Harrison, Bryn,
|e author.
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700 |
1 |
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|a Gottschalk, Jennie,
|e author.
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|a Bloomsbury Publishing
|b BLOO
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|a ProQuest Ebook Central
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938 |
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|a EBSCOhost
|b EBSC
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