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Museums and written communication : tradition and innovation /

This volume brings together 30 museum experts (26 in English and 4 in French) to lift the lid on museum print and texts. Contributions were originally presented at the UNESCO World Book Capital of 2012, a timely and far-sighted conference held in Armenia. If text is essential to communication, how c...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Winterbotham, Nick (Editor ), Avagyan, Ani (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Newcastle upon Tyne : Cambridge Scholars Publishing, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Intro; Table of Contents; Acknowledgements; Foreword; Writing and Book within the General Context of the Museum; More or Less; A Civilisation in Museum Space; Overcome Your Fears and Start Writing for an Online Community; Museums in the Digital Age; From Museum as Text to Museum as Experience?; Museum Book for Children; Another Perspective on Written Communication; The Past for Beginners; The Digital Three-stage Rocket; My Love-Hate Relationship with Texts in Museums; Less is More -- In Fact, Why Use Texts At All?; Graz Whispering; Writing for Children; Museum Logo 
505 8 |a Drawing from the Well of LanguageWays of Transferring Written Information in Museums; The Role of Written Instructions in an Exhibition about Instructions; Various Interpretations and Communication Skills; Participatory Text Labels in Indonesian Museums; The Plants of Northern Botswana from the Kalahari to the Okavango; Open Texts of Museum Expositions; History in Museum Space through Interactive Play Representation (by example of the Artaxata Treaty, 66 BC); The Museum as an Educational Environment; Culture Discovery Box; The Book of Life in the Armenian Culture 
505 8 |a Les composantes du fonctionnement affectif du visiteur adulteUne mallette-jeu pour l'éducation à l'image; Essai sur l'histoire de l'éducation muséale; Les nouveaux enjeux de la médiation pour le musée du Louvre 
520 |a This volume brings together 30 museum experts (26 in English and 4 in French) to lift the lid on museum print and texts. Contributions were originally presented at the UNESCO World Book Capital of 2012, a timely and far-sighted conference held in Armenia. If text is essential to communication, how can museums be sure that what they offer will engage, interpret or even transform the visitor, the tourist or the scholar? This book offers a wealth of answers to this question and related concerns. 
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