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Understanding Merleau-Ponty, understanding modernism /
Understanding Merleau-Ponty, Understanding Modernism revises the concept of modernism by examining the kinship of method and concern between Maurice Merleau-Ponty's phenomenology and modernist art, literature, film and neurophysiological discoveries, opening up the complexities of the philosoph...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury Academic,
2018.
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| Colección: | Understanding philosophy, understanding modernism
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Understanding Merleau-Ponty, understanding modernism / |c edited by Ariane Mildenberg. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 0 | |a Understanding philosophy, understanding modernism | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Understanding Merleau-Ponty, Understanding Modernism revises the concept of modernism by examining the kinship of method and concern between Maurice Merleau-Ponty's phenomenology and modernist art, literature, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. Rather than promoting phenomenology as a theoretical 'tool' for analysing selected texts or artworks, the aim of this volume is to bring Merleau-Ponty's work into dialogue with modernism. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist literature in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Title Page; Copyright Page; Contents; Notes on Contributors; Series Preface; Acknowledgments; Introduction: "The Surface of a Depth"; Part One: Conceptualizing Merleau-Ponty; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Part Three: Glossary; Notes; Part One: Conceptualizing Merleau-Ponty; Chapter 1: Merleau-Ponty's Cogito; L'Être au monde and L'Être à soi; Against Descartes; Thought and language; Self-consciousness; Notes; Chapter 2: On "The Philosopher and His Shadow"; Notes; Chapter 3: A Reading of "In Praise of Philosophy": How Bergson Conceived Our Relation to the Truth | |
| 505 | 8 | |a AttunementMerleau-Ponty and modernism, the true, and the past; The "modern" of modern philosophy to which modernism and Merleau-Ponty react; Merleau-Ponty's philosophy and expression; Notes; Chapter 4: "Hooks" and "Anchors": Cézanne, the Lived Perspective, and Modernist Doubt; Entering; Modernist doubt; Hooks and anchors; Freedom: Incomplete germination; Notes; Chapter 5: The Artist's Gestures of Fascination; Introduction: The fascination of the artistin Merleau-Ponty and Woolf; The painter's fascination by the world in "Eye and Mind." | |
| 505 | 8 | |a Virginia Woolf's artist in To the Lighthouse and Merleau-Ponty's "Flesh of the World"Notes; Chapter 6: "I Must Be Surprised, Disoriented": Merleau-Ponty on Language as Disruptive Movement; Embodied machinery and expressive language; Divergencies in/of speech: Toward new meaning; Language as disrupting movement: "At a certain stage I must be surprised, disoriented"; Unfinished thoughts, incomplete speech; Notes; Chapter 7: Neither/Nor: Merleau-Ponty's Ontology in "The Intertwining/The Chiasm"; The visible and the invisible; Beyond intuition and reflection; "The Intertwining/The Chiasm." | |
| 505 | 8 | |a Criticisms of Merleau-Ponty's ontology in "The Intertwining/The Chiasm"Notes; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Chapter 8: Phenomenology and the Imagination; Modernism, phenomenology, and Merleau-Ponty; Imagination, Cézanne, and embodied expression; Horizonality, the indeterminacy of the perceptual field, and the "halo" of things; Phenomenological abstraction: Modernism beyond Cézanne; Conclusion; Notes; Chapter 9: The Systems of Equivalencies in Matisse and Klee: Merleau-Ponty's Ontology of Modern Painting in "Eye and Mind"; Systems of equivalences | |
| 505 | 8 | |a The first system of equivalence: Line and colorThe second system of equivalence: Between line and sign; Some final remarks; Notes; Chapter 10: Merleau-Ponty on Simultaneity and Succession: The Turn to Music through Proust and Claudel; Notes; Chapter 11: Merleau-Ponty and Film: Documenting the Imagination; Perception from painting to film; Between perception and imagination; Documenting the imagination; Notes; Chapter 12: Motricité, Physiology, and Modernity in Phenomenology of Perception; Introduction; The "problem" of motricité; Automatism, physiology, and aesthetics | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Merleau-Ponty, Maurice, |d 1908-1961. |
| 600 | 1 | 7 | |a Merleau-Ponty, Maurice, |d 1908-1961. |2 fast |0 (OCoLC)fst00035769 |
| 650 | 7 | |a Literary theory. |2 bicssc | |
| 650 | 7 | |a Literary studies: general. |2 bicssc | |
| 650 | 7 | |a PHILOSOPHY |x History & Surveys |x Modern. |2 bisacsh | |
| 700 | 1 | |a Mildenberg, Ariane, |d 1971- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Understanding Merleau-Ponty, understanding modernism. |d New York : Bloomsbury Academic, 2018 |z 9781501302718 |w (DLC) 2018039192 |w (OCoLC)1014449125 |
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