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Joni Mitchell : new critical readings /

"Joni Mitchell: New Critical Readings recognizes the importance and innovativeness of the musician and artist Joni Mitchell and the need for a collection that theorizes her work as musician, composer, cultural commentator and antagonist. It showcases pieces by established and early career acade...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Charnock, Ruth
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Bloomsbury Academic, 2019.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Joni Mitchell :  |b new critical readings /  |c edited by Ruth Charnock. 
264 1 |a New York :  |b Bloomsbury Academic,  |c 2019. 
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505 0 |a Cover; Half Title; Title; Copyright; Dedication; Contents; Permissions; Preface: Everything's Backwards, or Joni, Chase that Butterfly!; Acknowledgments; Introduction; Part One "The Breadth of Extremities": Voice, Instrument, Feeling; 1 "The Hexagram of the Heavens, the Strings of My Guitar": Joni Mitchell's Crip Virtuosity; 2 "Oh Borderline": Joni Mitchell's Aging Voice as a Site of Queer Resistance; 3 "Both Sides, Now": Voice, Affect, and Thirdness; 4 "Dreams and False Alarms": Melancholy in the Work of Joni Mitchell; Part Two "The Only (Black) Man in the Room?" Mitchell's. Milieu 
505 8 |a 5 In Search of Lost Chords: Joni Mitchell, The Last Waltz, and the Refuge of the Road6 "Tar Baby and the Great White Wonder": Joni Mitchell's Pimp Game; 7 Tangled up in Blue: The Shadow of Dylan and Stylistic Swerves in Early-Seventies Joni Mitchell; Part Three "Busy Being Free": Love, Time, Feminism; 8 "Here's a Man and a Woman Sitting on a Rock": Joni Mitchell, Margaret Atwood, and Irritable Feminism; 9 Hollow: ""Cactus Tree"" and the Signs of Freedom; 10 "The Only Thing That's Never Going Away": Still Listening to Blue; Contributors; Index 
520 |a "Joni Mitchell: New Critical Readings recognizes the importance and innovativeness of the musician and artist Joni Mitchell and the need for a collection that theorizes her work as musician, composer, cultural commentator and antagonist. It showcases pieces by established and early career academics from the fields of popular music and literary studies on subjects such as Mitchell's guitar technique, the politics of aging in her work, and her fractious relationship with feminism. The collection features close readings of specific songs, albums, and performances while also paying keen attention to Mitchell's wider cultural contributions and significance."--  |c Provided by publisher 
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