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Sound effects : the object voice in fiction /

Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sacido-Romero, Jorge (Editor )
Otros Autores: Mieszkowski, Sylvia (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden, Netherlands ; Boston [Massachusetts] : Brill Rodopi, 2015.
Colección:DQR studies in literature.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sacido-Romero, Jorge. 
245 1 0 |a Sound effects :  |b the object voice in fiction /  |c edited by Jorge Sacido-Romero, Sylvia Mieszkowski. 
264 1 |a Leiden, Netherlands ;  |a Boston [Massachusetts] :  |b Brill Rodopi,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (359 pages) 
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490 1 |a DQR Studies in Literature,  |x 0921-2507 ;  |v Volume 59 
588 0 |a Print version record. 
505 0 |a Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. 
505 8 |a 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006) 
505 8 |a 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index. 
520 |a Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool. 
504 |a Includes bibliographical references and index. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a English fiction  |x History and criticism  |x Theory, etc. 
650 0 |a Voice in literature. 
650 0 |a Psychoanalysis and literature. 
650 6 |a Roman anglais  |x Histoire et critique  |x Théorie, etc. 
650 6 |a Voix dans la littérature. 
650 6 |a Psychanalyse et littérature. 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Psychoanalysis and literature  |2 fast 
650 7 |a Voice in literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Sacido-Romero, Jorge,  |e editor. 
700 1 |a Mieszkowski, Sylvia,  |e editor. 
776 0 8 |i Print version:  |z 900430438X 
830 0 |a DQR studies in literature. 
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