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Essays on literature and music (1985-2013) by Walter Bernhart /
This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. The volume is of relevance to literary scholars and mus...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden, Netherlands ; Boston, Massachusetts :
Brill Rodopi,
2015.
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| Colección: | Word and music studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preliminary Material / Werner Wolf
- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] / Werner Wolf
- The Iconic Quality of Poetic Rhythm [1986] / Werner Wolf
- Examples of Byron's Impact on 19th-Century German and Austrian Music [1987] / Werner Wolf
- Setting a Poem: The Composer's Choice For or Against Interpretation [1988] / Werner Wolf
- Zweimal 'Johnny': Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] / Werner Wolf
- Prekäre angewandte Opernästhetik: Auden's 'sekundäre Welt' und Hans Werner Henzes Elegie für junge Liebende [1994] / Werner Wolf
- An Exegetic Composer: Benjamin Britten's Journey of the Magi [1995] / Werner Wolf
- 'Kalogenetic' Functions of Prosody: An Exercise in Comparative Poetics [1995] / Werner Wolf
- How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] / Werner Wolf
- 'Proportion' in Elizabethan Poetry and Music [1996] / Werner Wolf
- Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] / Werner Wolf
- Iconicity and Beyond in "Lullaby for Jumbo": Semiotic Functions of Poetic Rhythm [1999] / Werner Wolf
- Some Reflections on Literary Genres and Music [1999] / Werner Wolf
- Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] / Werner Wolf
- A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] / Werner Wolf
- Typologische Überlegungen zum Melodrama [2000] / Werner Wolf
- Three Types of Song Cycles: The Variety of Britten's 'Charms' [2001] / Werner Wolf
- Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] / Werner Wolf
- The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] / Werner Wolf
- The 'Destructiveness of Music': Functional Intermedia Disharmony in Popular Songs [2002] / Werner Wolf
- Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] / Werner Wolf
- Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] / Werner Wolf
- The Rake's Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] / Werner Wolf
- Der 'postmoderne' Rosenkavalier [2005] / Werner Wolf
- 'Die lustigen Weiber' proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] / Werner Wolf
- Narrative Framing in Schumann's Piano Pieces [2006] / Werner Wolf
- 'Musikalische Verse': "Ich weiß nicht, was soll es bedeuten" [2006] / Werner Wolf
- Myth-making Opera: David Malouf's and Michael Berkeley's Jane Eyre [2007] / Werner Wolf
- Words and Music as Partners in Song: 'Perfect Marriage'
- 'Uneasy Flirtation'
- 'Coercive Tension'
- 'Shared Indifference'
- 'Total Destruction' [2007] / Werner Wolf
- "Liebling der ganzen Welt": Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] / Werner Wolf
- From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] / Werner Wolf
- What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] / Werner Wolf
- "... pour out forgiveness like a wine": Can Music "say an existence is wrong"? [2009] / Werner Wolf.