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Essays on literature and music (1985-2013) by Walter Bernhart /

This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. The volume is of relevance to literary scholars and mus...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bernhart, Walter (Autor)
Otros Autores: Wolf, Werner, 1955- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden, Netherlands ; Boston, Massachusetts : Brill Rodopi, 2015.
Colección:Word and music studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Essays on literature and music (1985-2013) by Walter Bernhart /  |c edited by Werner Wolf. 
264 1 |a Leiden, Netherlands ;  |a Boston, Massachusetts :  |b Brill Rodopi,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (515 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Word and Music Studies ;  |v v. 14 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
546 |a English. 
520 |a This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular. 
505 0 0 |t Preliminary Material /  |r Werner Wolf --  |t Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] /  |r Werner Wolf --  |t The Iconic Quality of Poetic Rhythm [1986] /  |r Werner Wolf --  |t Examples of Byron's Impact on 19th-Century German and Austrian Music [1987] /  |r Werner Wolf --  |t Setting a Poem: The Composer's Choice For or Against Interpretation [1988] /  |r Werner Wolf --  |t Zweimal 'Johnny': Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] /  |r Werner Wolf --  |t Prekäre angewandte Opernästhetik: Auden's 'sekundäre Welt' und Hans Werner Henzes Elegie für junge Liebende [1994] /  |r Werner Wolf --  |t An Exegetic Composer: Benjamin Britten's Journey of the Magi [1995] /  |r Werner Wolf --  |t 'Kalogenetic' Functions of Prosody: An Exercise in Comparative Poetics [1995] /  |r Werner Wolf --  |t How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] /  |r Werner Wolf --  |t 'Proportion' in Elizabethan Poetry and Music [1996] /  |r Werner Wolf --  |t Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] /  |r Werner Wolf --  |t Iconicity and Beyond in "Lullaby for Jumbo": Semiotic Functions of Poetic Rhythm [1999] /  |r Werner Wolf --  |t Some Reflections on Literary Genres and Music [1999] /  |r Werner Wolf --  |t Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] /  |r Werner Wolf --  |t A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] /  |r Werner Wolf --  |t Typologische Überlegungen zum Melodrama [2000] /  |r Werner Wolf --  |t Three Types of Song Cycles: The Variety of Britten's 'Charms' [2001] /  |r Werner Wolf --  |t Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] /  |r Werner Wolf --  |t The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] /  |r Werner Wolf --  |t The 'Destructiveness of Music': Functional Intermedia Disharmony in Popular Songs [2002] /  |r Werner Wolf --  |t Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] /  |r Werner Wolf --  |t Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] /  |r Werner Wolf --  |t The Rake's Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] /  |r Werner Wolf --  |t Der 'postmoderne' Rosenkavalier [2005] /  |r Werner Wolf --  |t 'Die lustigen Weiber' proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] /  |r Werner Wolf --  |t Narrative Framing in Schumann's Piano Pieces [2006] /  |r Werner Wolf --  |t 'Musikalische Verse': "Ich weiß nicht, was soll es bedeuten" [2006] /  |r Werner Wolf --  |t Myth-making Opera: David Malouf's and Michael Berkeley's Jane Eyre [2007] /  |r Werner Wolf --  |t Words and Music as Partners in Song: 'Perfect Marriage' -- 'Uneasy Flirtation' -- 'Coercive Tension' -- 'Shared Indifference' -- 'Total Destruction' [2007] /  |r Werner Wolf --  |t "Liebling der ganzen Welt": Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] /  |r Werner Wolf --  |t From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] /  |r Werner Wolf --  |t What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] /  |r Werner Wolf --  |t "... pour out forgiveness like a wine": Can Music "say an existence is wrong"? [2009] /  |r Werner Wolf. 
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650 0 |a Literature  |x History and criticism. 
650 6 |a Musique et littérature. 
650 6 |a Musique  |x Histoire et critique. 
650 6 |a Littérature  |x Histoire et critique. 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a Music  |2 fast 
650 7 |a Literature  |2 fast 
650 7 |a Music and literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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