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A cultural history of the avant-garde in the Nordic countries 1925-1950 /

"A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, ra...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Hjartarson, Benedikt (Editor ), Kollnitz, Andrea, 1970- (Editor ), Stounbjerg, Per, 1956- (Editor ), Ørum, Tania (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill Rodopi, [2019]
Colección:Avant garde critical studies ; 36.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface
  • Notes on Contributors
  • Cosiness and Subversion
  • From Post-Cubism to Functionalism and "Scandinavian Surrealism" / Benedikt Hjartarson
  • Paradigmatic Cases
  • Introduction to Section 1 / Andrea Kollnitz
  • Viking Eggeling and European Avant-Garde Cinema / Malte Hagener and Yvonne Zimmermann
  • For Our Own Time
  • Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930 / Andrea Kollnitz
  • The Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning / Wendy A. Grossman
  • Alvar Aalto around 1930
  • Between Modernism and the Avant-Garde / Eeva-Liisa Pelkonen
  • Asger Jorn and Cobra
  • A Many-Headed Beast / Karen Kurczynski
  • Legacies and New Directions
  • Introduction to Section 2 / Benedikt Hjartarson
  • Quosego
  • Final Blow, Starting Shot / Fredrik Hertzberg
  • Surrealism in Denmark
  • Vilhelm Bjerke-Petersen's Book Surrealismen, 1934 / Camilla Skovbjerg Paldam
  • "Everybody must participate in everything"
  • Cross-Aesthetic Practices in and around the Danish Magazine linien (1934-1939) / Marianne Ølholm
  • The Reception of the Halmstad Group in the 1930s / Helen Fuchs
  • Smile at the World, and It Will Laugh at You
  • Helhesten's Folkelig Avant-Garde / Kerry Greaves
  • The Birth of a Vanguard
  • Icelandic Art 1940-1950 / Aðalsteinn Ingólfsson
  • Scandinavian Women Artists and the Académie Moderne
  • Abstraction, Gender and the Nordic / Dorthe Aagesen
  • Universal Language on National Ground
  • Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930 / Andrea Kollnitz
  • Linien ii
  • A Local Avant-Garde Formation in Postwar Denmark / Jens Tang Kristensen
  • Transmissions, Appropriations and Responses
  • Introduction to Section 3 / Andrea Kollnitz and Harri Veivo
  • To France with Love
  • Surrealism, Schadism, Situationism and Jens August Schade / Per Stounbjerg
  • A Nordic Verfremdung
  • Bertolt Brecht's Exile in Denmark, Sweden and Finland 1933-1941 / Rikard Schönström
  • Merz in the Mountains: Peripheral Art in a Peripheral Landscape
  • On Kurt Schwitters's Norwegian Exile and Artistic Production in Møre og Romsdal, 1937-1940 / Hubert van den Berg
  • Rita Kernn-Larsen
  • An International Surrealist Career / Ulla Angkjær Jørgensen
  • From Bauhaus to Bispebjerg
  • Edvard Heiberg and the Social Avant-Garde / Nan Dahlkild
  • Corporeal Aesthetics
  • Primitivism and the Reception of African American Performing Arts around 1930 / Karen Vedel
  • Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922-1939 / Harri Veivo
  • Institutional Settings
  • Introduction to Section 4 / Per Stounbjerg
  • How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde / Michael Fjeldsøe
  • The Engineer and the Avant-Garde
  • Concrete Artists in Sweden / Linda Fagerström
  • Arne Korsmo, PAGON and "Meccano for the Home" / Espen Johnsen
  • State-Controlled Avant-Garde?
  • Emil Bønnelycke's Radiophonic Portrait of Copenhagen / Jacob Kreutzfeldt
  • Nyrki Tapiovaara
  • Between Avant-Garde and Mainstream Cinema / Kimmo Laine.