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In search of Russian modernism /
The writing and teaching of Russian literary and cultural history has changed little since the 1980s. In Search of Russian Modernism challenges the basic premises of Russian modernist studies, removing the aura of certainty surrounding the analytical tools at our disposal and suggesting audacious al...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore :
Johns Hopkins University Press,
2018.
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| Colección: | Hopkins studies in modernism.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a In search of Russian modernism / |c Leonid Livak. |
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| 505 | 0 | |a Introduction. Modernism as a culture -- Culture and cognition -- Culture, mythology, politics -- Culture, community, cartography -- Cultural spaces and their travelers -- The toponymical labyrinth of Russian modernist culture. Early Russian modernism and its "isms" ; The Russian domestication of the term Modernism ; New names, old problems ; Politics and cultural toponymy ; Naming the field -- The errant compass rose of Russian modernist studies. Realism as a cardinal direction ; Tradition and innovation as cardinal directions -- Russian modernism in time and space. The myth of 1917 ; Culture and border patrol ; Putting late Russian modernism on the map ; Chronologies of Russian modernism -- Navigating Russia's cultures of modernity. The intelligentsia and the two avant-gardes ; The two avant-gardes and mass culture -- Russian modernism in the cultural market. The economics of Russian cultural modernity ; The formalist writer-type and the evolving institution of authorship ; The political economy of Russian modernism -- Conclusion. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed October 24, 2018) | |
| 520 | |a The writing and teaching of Russian literary and cultural history has changed little since the 1980s. In Search of Russian Modernism challenges the basic premises of Russian modernist studies, removing the aura of certainty surrounding the analytical tools at our disposal and suggesting audacious alternatives to the conventional ways of thinking and speaking about Russian and transnational modernism. Drawing on methodological breakthroughs in Anglo-American new modernist studies, Leonid Livak explores Russian and transnational modernism as a story of a self-identified and self-conscious interpretive community that bestows a range of meanings on human experience. Livak's approach opens modernist studies to integrative and interdisciplinary analysis, including the extension of scholarly inquiry beyond traditional artistic media in order to account for modernism's socioeconomic and institutional history. Writing with a student audience in mind, Livak presents Russian modernism as a minority culture coexisting with other cultural formations while addressing thorny issues that regularly come up when discussing modernist artifacts. Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is also intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography. | ||
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