Soviet critical design : Senezh Studio and the Communist surround /

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"Soviet Critical Design is the first monograph to explore the socialist design practice of 'artistic projecteering', which was developed by the USSR's Senezh Experimental Studio in the 1960s. Tom Cubbin first examines the studio as a site for the development of the design discipl...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cubbin, Tom (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Bloomsbury Visual Arts, 2019.
Colección:Cultural histories of design.
Temas:
Senezhskai͡a studii͡a.
Senezhskai͡a studii͡a
Architectural design > Research > Russia (Federation)
Design > Research > Russia (Federation)
Design architectural > Recherche > Russie.
Design > Recherche > Russie.
Industrial > commercial art & design.
History of art > art & design styles.
ARCHITECTURE > Interior Design > General.
Architectural design > Research
Design > Research
Russia (Federation)
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: The Communist SurroundSocialist Objects as Critical DesignThe Communist SurroundThe Language of Soviet DesignLate SocialismConclusion Chapter 1: Art, Technology and Design in the Soviet ThawTechnical Aesthetics as a 'Science of Design'Theories of Design in Art and AestheticsProblems of DesignForeign InfluencesFrom Chaos to HarmonyThe Production Art of the FutureObjects of the FutureConclusion Chapter 2: Senezh Studio and the Emergence of a Critical PracticeThe Artist in DesignSeminar for Design and Industrial Art
  • Programme of WorkSummary of Courses in Colour and Composition, 1969Industrial Policy and LabourOpen FormSites of Experimentation: Socialist Spaces of the FutureMethodological Philosophy and the Reassessment of Artistic ProjecteeringThe Domestic Information MachineConclusion Chapter 3: Semiotics, Environment, and the Historical TurnAbandoning Industrial DesignRedefining Visual AgitationConservation of Architectural HeritageRetrospectivism, Memory and HistoryTheatricalizationConclusion: Opening the Semiotic Cage Chapter 4: Design and the Projective ImaginationEnvironment and the 'Museification' Debate'Projectivism' and DesignIcons of a Higher RealityUnderground CultureMaiakovskii Square as a Theatre of Post-Authoritarian UrbanityConclusion Chapter 5: A Quiet Conversation Among Things: Memory, Agency and Materiality at the End of HistoryBackground: Cultural Ecology and Projecteering in PushchinoThe Abandoned HousePerestroika and TimePhotographsTablesIconsConclusion Conclusion End MatterAppendix I
  • Complete List of Senezh ProjectsAppendix II
  • Key PeopleIndex.

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