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Consciousness, performing arts and literature : trajectories, 2014-2018 /
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Part one: dance and conciousness
- Professorial reflections: informal discussions and reflections / Barbara Sellers-Young and Daniel Meyer-Dinkgräfe
- Spirituality in Aurelia Baumgartner's Tanzphilosophie
- Dancing horses and reflecting humans
- Part two: opera and conciousness
- Werktreue and Regieoper
- Holistic experience of opera and the International Opera Theater (IOT)
- Part three: theatre and conciousness
- Liveness: Phelan, Auslander and after
- Performance as philosophy: the universal language of the theatre revisited / Daniel Meyer-Dinkgräfe and Anita S. Hammer
- In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / Yana Meerzon and Daniel Meyer-Dinkgräfe
- Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / Daniel Meyer-Dinkgräfe and Gregory Tague
- Science in Lucy Prebble's The Effect
- Ethical considerations of casting children in plays with "adult themes"
- Towards a theatre of the heart
- Intercultural differences and universality of creating and percieving beauty through / in performance / Daniel Meyer-Dinkgräfe and Tanatchaporn Kittikong
- Part four: practice as research
- Theatre without conflict: practice as research
- The view across the bay: a novel
- Bibliography
- Contributors
- Index.