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Consciousness, performing arts and literature : trajectories, 2014-2018 /
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Consciousness, performing arts and literature : |b trajectories, 2014-2018 / |c edited by Daniel Meyer-Dingräfe. |
| 264 | 1 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xii, 411 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 387-403) and index. | ||
| 505 | 0 | 0 | |t Introduction -- |g Part one: dance and conciousness -- |t Professorial reflections: informal discussions and reflections / |r Barbara Sellers-Young and Daniel Meyer-Dinkgräfe -- |t Spirituality in Aurelia Baumgartner's Tanzphilosophie -- |t Dancing horses and reflecting humans -- |g Part two: opera and conciousness -- |t Werktreue and Regieoper -- |t Holistic experience of opera and the International Opera Theater (IOT) -- |g Part three: theatre and conciousness -- |t Liveness: Phelan, Auslander and after -- |t Performance as philosophy: the universal language of the theatre revisited / |r Daniel Meyer-Dinkgräfe and Anita S. Hammer -- |t In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / |r Yana Meerzon and Daniel Meyer-Dinkgräfe -- |t Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / |r Daniel Meyer-Dinkgräfe and Gregory Tague -- |t Science in Lucy Prebble's The Effect -- |t Ethical considerations of casting children in plays with "adult themes" -- Towards a theatre of the heart -- Intercultural differences and universality of creating and percieving beauty through / in performance / |r Daniel Meyer-Dinkgräfe and Tanatchaporn Kittikong -- |g Part four: practice as research -- |t Theatre without conflict: practice as research -- |t The view across the bay: a novel -- Bibliography -- Contributors -- Index. |
| 520 | |a Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author's first novel, which launches the new genre of spiritual romance. -- Publisher description. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Consciousness in art. | |
| 650 | 0 | |a Arts |x Psychological aspects. | |
| 650 | 6 | |a Conscience dans l'art. | |
| 650 | 6 | |a Arts |x Aspect psychologique. | |
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| 650 | 7 | |a Dance. |2 bicssc | |
| 650 | 7 | |a Opera. |2 bicssc | |
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| 650 | 7 | |a Arts |x Psychological aspects |2 fast | |
| 650 | 7 | |a Consciousness in art |2 fast | |
| 700 | 1 | |a Meyer-Dinkgräfe, Daniel, |d 1958- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Consciousness, performing arts and literature. |d Newcastle upon Tyne : Cambridge Scholars Publishing, 2018 |z 1527513602 |w (OCoLC)1047550128 |
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