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|a Vishmidt, Marina,
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|a Speculation as a mode of production :
|b forms of value subjectivity in art and capital /
|c by Marina Vishmidt.
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|a 1810
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|a Leiden ;
|a Boston, MA :
|b Brill,
|c [2019]
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|a 1 online resource (xi, 254 pages).
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|a Historical materialism book series,
|x 1570-1522 ;
|v Volume 176
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|a Includes bibliographical references and index.
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|a Introduction : speculation as a mode of production in art and capital -- Speculation : the subjectivity of re-structuring and re-structuring subjectivity -- Topologies of speculation : the tenses of art, labour and finance -- Aesthetic speculations and antagonisms -- Whatever indicator : indeterminacy, judgement, and putting the speculative to work -- Conclusion : whither speculation?
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|a "In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, her work pursues speculation through its contested terrains of philosophy, finance and art, to arrive at the most detailed analysis that we now possess of the role of speculation in the shaping of subjectivity by value relations. Featuring detailed critical discussions of recent tendencies in the artistic representation of labour, and a brilliant reconstruction of the philosophical concept of the speculative from its origins in German Romanticism, Speculation as a Mode of Production is an essential, widescreen theorization of capital's drive to self-expansion, and an urgent corrective to the narrow and one-sided periodisations to which it is most commonly subjected"--
|c Provided by publisher.
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|a Marina Vishmidt is a writer and editor. She teaches at Goldsmiths, University of London. Her work has appeared in South Atlantic Quarterly, Ephemera, Afterall, Journal of Cultural Economy, Australian Feminist Studies, and Radical Philosophy, among others, as well as a number of edited volumes. She is the co-author of Reproducing Autonomy (with Kerstin Stakemeier) (Mute, 2016), and Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital (Brill 2018 / Haymarket 2019). She is one of the organizers of the Centre for Philosophy and Critical Thought at Goldsmiths, a member of the Marxism in Culture collective and is on the board of the New Perspectives on the Critical Theory of Society series (Bloomsbury Academic).
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|a Art
|x Economic aspects.
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|a Speculation.
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|a Capital productivity.
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|a Finance
|x Political aspects.
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|a Spéculation.
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|a Capital
|x Productivité.
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|a Finances
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|i Print version:
|a Vishmidt, Marina.
|t Speculation as a mode of production.
|d Leiden ; Boston, MA : Brill, [2019]
|z 9789004291379
|w (DLC) 2018041088
|w (OCoLC)1079826989
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|a Historical materialism book series ;
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