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Spanish royal patronage 1412-1804 : portraits as propaganda /

Portraits have a long history in royal courts as a way of communicating the monarchs status, rulership, and even piety. This anthology places such art works studied in the context of their commission, production, and display. Artists use different representational strategies to convey important info...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Colón Mendoza, Ilenia (Editor ), Zaho, Margaret Ann, 1966- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Spanish royal patronage 1412-1804 :  |b portraits as propaganda /  |c edited by Ilenia Colón Mendoza and Margaret Ann Zaho. 
264 1 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Publishing,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (xii, 178 pages, 8 unnumbered pages of plates) :  |b illustrations (some color) 
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504 |a Includes bibliographical references and index. 
520 |a Portraits have a long history in royal courts as a way of communicating the monarchs status, rulership, and even piety. This anthology places such art works studied in the context of their commission, production, and display. Artists use different representational strategies to convey important information about the sitter. These aspects combined with patronage, location and use of the work form a departure point from which to address portraits comprehensively. The intersection between artist, the portrayed and audience with the additional layer of formed identity allows the portrait to hold a special place as popular genre of Spanish art. The relationship between the use of the work and its context is key to understanding better the cultural and social norms of Spanish aristocracy and what they reveal about Spanish identity in general. Used to solidify governance, lineage, and marriage, portraits legitimized the negotiation of status, power, and social mobility. 
588 0 |a Print version record. 
505 0 |a Intro; Table of Contents; List of Figures; List of Plates; Notes on Contributors; Acknowledgements; Introduction; Establishing Identity; Court Portraits during the Reign of Philip III of Spain; Portrait of Power; Francisco de Zurbarán's The Surrender of Seville to King Ferdinand III of Castile and Leon with Saint Peter Nolasco, 1248 for the Calced Mercedarians of Seville; Images of Authority, Power and Honor in Jusepe de Ribera's Political Imaginary; Changing Faces; Index 
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650 0 |a Portraits  |x Political aspects  |z Spain  |x History. 
650 0 |a Art patronage  |z Spain  |x History. 
650 0 |a Art, Spanish  |x Themes, motives. 
650 6 |a Portraits  |x Aspect politique  |z Espagne  |x Histoire. 
650 6 |a Mécénat  |z Espagne  |x Histoire. 
650 6 |a Art espagnol  |x Thèmes, motifs. 
650 7 |a History of art & design styles: c 1400 to c 1600.  |2 bicssc 
650 7 |a History of art & design styles: c 1600 to c 1800.  |2 bicssc 
650 7 |a History of art  |x art & design styles.  |2 bicssc 
650 7 |a ART  |x Subjects & Themes  |x General.  |2 bisacsh 
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700 1 |a Colón Mendoza, Ilenia,  |e editor. 
700 1 |a Zaho, Margaret Ann,  |d 1966-  |e editor. 
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