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|a UAMI
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|a Fong, C. F.
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|a City of the Dead and Song of the Night.
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|a Hong Kong :
|b The Chinese University Press,
|c 2015.
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|a 1 online resource (112 pages)
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|a text
|b txt
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|a Half title page; full title page; copyright; Contents; Introduction; Part 1: CIty of the Dead; Part 1. Scene1; Part 1. Scene 2; Part 1. Appendix; Part 2. Song of the Night.
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|a City of the Dead and Song of the Night are two plays by Gao Xingjian, the Nobel laureate, which create new modes of theatrical presentation by experimenting with prose and poetry. In City of the Dead, Gao employs traditional Chinese opera techniques that combine singing with dialogue, movement, and martial arts into a modern play. Song of the Night, conceived as a poem-play with dance, uses one female actor and two female dancers to represent the subjective self of the contemporary woman, divided into the "I" and the "she." These two plays advance Gao's theatrical experiments in dramatic prose across linguistic and cultural boundaries.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Gao, Xingjian
|v Translations into English.
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1 |
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|a Gao, Xingjian
|2 fast
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650 |
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|a LANGUAGE ARTS & DISCIPLINES
|x Translating & Interpreting.
|2 bisacsh
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650 |
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|a Languages & Literatures.
|2 hilcc
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650 |
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|a East Asian Languages & Literatures.
|2 hilcc
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655 |
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|a Translations
|2 fast
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700 |
1 |
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|a Lee, Mabel.
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776 |
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|i Print version:
|a Fong, C.F.
|t City of the Dead and Song of the Night.
|d Hong Kong : The Chinese University Press, ©2015
|z 9789629966508
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