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Hieroglyph, emblem, and Renaissance pictography /

Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Volkmann, Ludwig, 1870-1947 (Autor)
Otros Autores: Raybould, Robin (Editor , Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Leiden ; Boston : Brill, 2018.
Colección:Brill's studies in intellectual history, [Volume 274]
Brill's studies on art, art history, and intellectual history ; [Volume 28]
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Bilderschriften der Renaissance.  |l English 
245 1 0 |a Hieroglyph, emblem, and Renaissance pictography /  |c by Ludwig Volkmann ; translated and edited by Robin Raybould. 
263 |a 1807 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c 2018. 
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490 0 |a Brill's studies in intellectual history,  |x 0920-8607 ;  |v [Volume 274] 
490 0 |a Brill's studies on art, art history, and intellectual history ;  |v [Volume 28] 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
505 0 |a Intro; Contents; Translator's Preface; List of Illustrations; Author's Introduction; Chapter 1 The Hieroglyphics of the Italian Humanists; Excursus 1: On the Images in the Gran Chiostro of San Giustina and those in the Hypnerotomachia Poliphili; Chapter 2 Emblematics and Its Derivatives: Imprese and Devices; Excursus 2: On the Origin of Alciato's Emblemata; Excursus 3: On Hoes; Chapter 3 Hieroglyphics North of the Alps; Excursus 4: On the Origin of Aldus' Printers Mark and the Motto festina lente; Excursus 5: On the Symbola of Pythagoras and Alciato's Emblem "Do not sit on a bushel." 
505 8 |a Excursus 6: Philosophia comite regredimurChapter 4 Resonances from the Seventeenth and Eighteenth Centuries; Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten); Bibliography; Index of Names; Index of Hieroglyphs, Emblems and Devices 
520 |a Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould's translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field. 
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