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Who's in the money? : the Great Depression musicals and Hollywood's New Deal /
Harry and Jack Warner were among the most important advocates and fundraisers of President Franklin Roosevelt during his 1932 presidential campaign, supporting his New Deal legislation in successful Great Depression musicals like '42nd Street', 'Gold Diggers of 1933', and 'F...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2018]
|
| Colección: | Traditions in American cinema.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cohen, Harvey G., |e author. | |
| 245 | 1 | 0 | |a Who's in the money? : |b the Great Depression musicals and Hollywood's New Deal / |c Harvey G. Cohen. |
| 246 | 3 | |a Who is in the money? | |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (x, 238 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Traditions in American cinema | |
| 520 | |a Harry and Jack Warner were among the most important advocates and fundraisers of President Franklin Roosevelt during his 1932 presidential campaign, supporting his New Deal legislation in successful Great Depression musicals like '42nd Street', 'Gold Diggers of 1933', and 'Footlight Parade'. But while the Warner brothers posed as exemplars of the New Deal in real life and in their movies, they were attempting to reverse Roosevelt's policies within their studio and their industry. Using newly unearthed primary sources, this ground-breaking book examines the bitter and little known struggle in Hollywood and Washington D.C. during 1933 to create a National Recovery Administration (NRA) code of practice for the motion picture industry. But through the manipulation of New Deal legislation, Harry and Jack Warner, along with other studio moguls, sought to curtail workers' rights and salaries instead of bolstering both sides of the labour/management divide as they were supposed to do under NRA regulations, attempting to serve the economic pain of the Depression as much as possible onto artists and craftsmen, not owners or management. With its tales of Hollywood stars and employees fighting to win a fair share of the proceeds of their labour, the creation of the NRA code makes for an intriguing story of financial survival, political intrigue and backstabbing during the worst of the Great Depression. | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a The Warners and Franklin Roosevelt -- The Great Depression musicals -- Footlight Parade -- On the job -- The NRA code -- Post-1933: a conclusion. | |
| 588 | 0 | |a Print version record. | |
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| 610 | 1 | 0 | |a United States. |b National Recovery Administration. |
| 610 | 1 | 7 | |a United States. |b National Recovery Administration. |2 fast |0 (OCoLC)fst00516404 |
| 650 | 0 | |a Motion picture industry |x Political aspects |z California |z Los Angeles |x History |y 20th century. | |
| 650 | 0 | |a Motion picture industry |x Economic aspects |z California |z Los Angeles |x History |y 20th century. | |
| 650 | 0 | |a Motion picture industry and state |z United States |x History |y 20th century. | |
| 650 | 0 | |a New Deal, 1933-1939. | |
| 650 | 0 | |a Labor disputes |z California |z Los Angeles |x History |y 20th century. | |
| 651 | 0 | |a United States |x Politics and government |y 1933-1945. | |
| 650 | 6 | |a Cinéma |x Industrie |x Aspect politique |z Californie |z Los Angeles |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Industrie |x Aspect économique |z Californie |z Los Angeles |x Histoire |y 20e siècle. | |
| 650 | 6 | |a New Deal. | |
| 650 | 6 | |a Travail |x Conflits |z Californie |z Los Angeles |x Histoire |y 20e siècle. | |
| 651 | 6 | |a États-Unis |x Politique et gouvernement |y 1933-1945. | |
| 650 | 7 | |a New Deal. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a New Deal, 1933-1939 |2 fast |0 (OCoLC)fst01036721 | |
| 650 | 7 | |a Labor disputes. |2 fast |0 (OCoLC)fst00989929 | |
| 650 | 7 | |a Motion picture industry and state. |2 fast |0 (OCoLC)fst01894645 | |
| 650 | 7 | |a Motion picture industry |x Economic aspects. |2 fast |0 (OCoLC)fst01027155 | |
| 650 | 7 | |a Motion picture industry |x Political aspects. |2 fast |0 (OCoLC)fst01027181 | |
| 650 | 7 | |a Politics and government. |2 fast |0 (OCoLC)fst01919741 | |
| 651 | 7 | |a California |z Los Angeles. |2 fast |0 (OCoLC)fst01204540 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Cohen, Harvey G. |t Who's in the money? |d Edinburgh : Edinburgh University Press, [2018] |z 9781474429405 |w (OCoLC)1005579118 |
| 830 | 0 | |a Traditions in American cinema. | |
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