The medium is the monster : Canadian adaptations of Frankenstein and the discourse of technology /
"Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley's 1818 novel Frankenstein that effectively reinvented the meaning...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Edmonton, AB :
AU Press,
[2018]
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Colección: | Campus Alberta collection
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgements; Introduction; 1. Technology, Frankenstein, and ... Canada?; 2. Refocusing Adaptation Studies; 3. Frankenstein and the Reinvention of "Technology"; 4. The Medium Is the Monster: McLuhan's "Frankenpheme" of Technology; 5. Monstrous Adaptations: McLuhanesque Frankensteins in Neuromancer and Videodrome; 6. "Technology Implies Belligerence": Pattern Propagation in Canadian Science Fiction; 7. Is It Live or Is It Deadmau5? Pattern Amplification in Canadian Electronic Dance Music.
- 8. Monster Mines and Pipelines: Frankenphemes of Tar Sands Technology in Canadian Popular CultureConclusion; References; Index.