I'm not myself at all : women, art, and subjectivity in Canada /

"Notions of identity have long structured women's art. Dynamics of race, class, and gender have shaped the production of artworks and oriented their subsequent reassessments. Arguably, this is especially true of art by women, and of the socially engaged criticism that addresses it. If iden...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Huneault, Kristina (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal : McGill-Queen's University Press, [2018]
Colección:McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
Temas:
1800-1999
Women artists > Canada.
Art > Canada > History.
Art, Canadian > 19th century.
Art, Canadian > 20th century.
Identity (Psychology) in art.
Women in art.
Femmes artistes > Canada.
Art > Canada > Histoire.
Identité (Psychologie) dans l'art.
Femmes dans l'art.
ART > Subjects & Themes > General.
Art.
Art, Canadian.
Women artists.
Frau.
Frau > Motiv.
Kunst.
Künstlerin.
Identität.
Canada.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; I'm Not Myself at All; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; PART ONE · IDENTITIES; 1 Absence Henrietta Hamilton, Demasduit, and the Settler-Colonial Encounter; 2 Displacements Self and Home in the Art of Frances Anne Hopkins; 3 Gaps Lived Experience and Cultural Narrative in Helen McNicoll's Impressionist Canvases; PART TWO · FORCES; 4 Diversity Identity, Difference, and the Botanical Encounter; 5 Inclination Maternity, Reverie, and the Art of Being-With; 6 Listening Nature and Personhood for Emily Carr and Sewiṉchelwet (Sophie Frank); Coda

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