|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
EBSCO_on1030840415 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr mn |||||||| |
008 |
191227t20182018abcag ob 001 0 eng |
010 |
|
|
|a 2019394420
|
040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d N$T
|d EBLCP
|d OCLCF
|d UWO
|d YDX
|d NLC
|d MERUC
|d IDB
|d UAB
|d CELBN
|d CEF
|d INT
|d VT2
|d OTZ
|d DKU
|d AGLDB
|d CNTRU
|d UKAHL
|d SFB
|d OCLCO
|d NLC
|d CANEL
|d OCLCQ
|d DLC
|d NLC
|d OCLCQ
|d OCLCO
|
015 |
|
|
|a 20179078682
|2 can
|
016 |
|
|
|a (AMICUS)000045280213
|
016 |
|
|
|z 20179078674 (print)
|
019 |
|
|
|a 1030498445
|a 1030602066
|a 1030818554
|a 1030869633
|a 1055356222
|a 1115124418
|a 1136276684
|a 1137812137
|a 1192344585
|a 1224923244
|a 1235831588
|a 1262690869
|a 1290608437
|a 1381714113
|
020 |
|
|
|a 9781771992213
|q (PDF)
|
020 |
|
|
|a 1771992212
|q (PDF)
|
020 |
|
|
|a 9781771992220
|q (epub)
|
020 |
|
|
|a 1771992220
|q (epub)
|
020 |
|
|
|z 9781771992206
|q (pbk.)
|
020 |
|
|
|z 1771992204
|q (pbk.)
|
020 |
|
|
|z 9781771992237
|
020 |
|
|
|z 1771992239
|
020 |
|
|
|a 1771992204
|
020 |
|
|
|a 9781771992206
|
024 |
3 |
|
|a 9781771992206
|
028 |
6 |
0 |
|a 455547
|b CaOOCEL
|q (Books Online)
|
029 |
1 |
|
|a NLC
|b 000045280213
|
035 |
|
|
|a (OCoLC)1030840415
|z (OCoLC)1030498445
|z (OCoLC)1030602066
|z (OCoLC)1030818554
|z (OCoLC)1030869633
|z (OCoLC)1055356222
|z (OCoLC)1115124418
|z (OCoLC)1136276684
|z (OCoLC)1137812137
|z (OCoLC)1192344585
|z (OCoLC)1224923244
|z (OCoLC)1235831588
|z (OCoLC)1262690869
|z (OCoLC)1290608437
|z (OCoLC)1381714113
|
037 |
|
|
|a 5330831
|b Proquest Ebook Central
|
042 |
|
|
|a pcc
|a lac
|
050 |
0 |
0 |
|a ML3830
|
055 |
0 |
0 |
|a ML3830
|b .D39 2018
|
072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
|
082 |
0 |
4 |
|a 781.1/1
|2 23
|
084 |
|
|
|a cci1icc
|2 lacc
|
084 |
|
|
|a coll13
|2 lacc
|
084 |
|
|
|a af101fs
|2 lacc
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Dawson, Michael Robert William,
|d 1959-
|e author.
|
245 |
1 |
0 |
|a Connectionist representations of tonal music :
|b discovering musical patterns by interpreting artificial neural networks /
|c Michael R.W. Dawson.
|
264 |
|
1 |
|a Edmonton, AB :
|b AU Press, Athabasca University,
|c [2018]
|
264 |
|
4 |
|c ©2018
|
300 |
|
|
|a 1 online resource.
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
500 |
|
|
|a Issued in print and electronic formats.
|
504 |
|
|
|a Includes bibliographical references and index.
|
588 |
0 |
|
|a Title from Athabasca University Press website ; viewed on 2019-12-27.
|
505 |
0 |
|
|a Cover; Half Title; Title; Copyright; Contents; List of Figures; List of Tables; Acknowledgements; Overture: Alien Music; Chapter 1: Science, Music, and Cognitivism; 1.1 Mechanical Philosophy, Mathematics, and Music; 1.2 Mechanical Philosophy and Tuning; 1.3 Psychophysics of Music; 1.4 From Rationalism to Classical Cognitive Science; 1.5 Musical Cognitivism; 1.6 Summary; Chapter 2: Artificial Neural Networks and Music; 2.1 Some Connectionist Basics; 2.2 Romanticism and Connectionism; 2.3 Against Connectionist Romanticism; 2.4 The Value Unit Architecture; 2.5 Summary and Implications.
|
505 |
8 |
|
|a Chapter 3: The Scale Tonic Perceptron3.1 Pitch-Class Representations of Scales; 3.2 Identifying the Tonics of Musical Scales; 3.3 Interpreting the Scale Tonic Perceptron; 3.4 Summary and Implications; Chapter 4: The Scale Mode Network; 4.1 The Multilayer Perceptron; 4.2 Identifying Scale Mode; 4.3 Interpreting the Scale Mode Network; 4.4 Tritone Imbalance and Key Mode; 4.5 Further Network Analysis; 4.6 Summary and Implications; Chapter 5: Networks for Key-Finding; 5.1 Key-Finding; 5.2 Key-Finding with Multilayered Perceptrons; 5.3 Interpreting the Network; 5.4 Coarse Codes for Key-Finding.
|
505 |
8 |
|
|a 5.5 Key-Finding with Perceptrons5.6 Network Interpretation; 5.7 Summary and Implications; Chapter 6: Classifying Chords with Strange Circles; 6.1 Four Types of Triads; 6.2 Triad Classification Networks; 6.3 Interval Cycles and Strange Circles; 6.4 Added Note Tetrachords; 6.5 Classifying Tetrachords; 6.6 Interpreting the Tetrachord Network; 6.7 Summary and Implications; Chapter 7: Classifying Extended Tetrachords; 7.1 Extended Tetrachords; 7.2 Classifying Extended Tetrachords; 7.3 Interpreting the Extended Tetrachord Network; 7.4 Bands and Coarse Coding; 7.5 Summary and Implications.
|
505 |
8 |
|
|a Chapter 8: Jazz Progression Networks8.1 The ii-V-I Progression; 8.2 The Importance of Encodings; 8.3 Four Encodings of the ii-V-I Problem; 8.4 Complexity, Encoding, and Training Time; 8.5 Interpreting a Pitch-class Perceptron; 8.6 The Coltrane Changes; 8.7 Learning the Coltrane Changes; 8.8 Interpreting a Coltrane Perceptron; 8.9 Strange Circles and Coltrane Changes; 8.10 Summary and Implications; Chapter 9: Connectionist Reflections; 9.1 A Less Romantic Connectionism; 9.2 Synthetic Psychology of Music; 9.3 Musical Implications; 9.4 Implications for Musical Cognition; 9.5 Future Directions.
|
506 |
1 |
|
|a EPUB: Access restricted to LAC onsite clients.
|f Access restricted to LAC onsite clients.
|2 star
|5 CaOONL
|
520 |
|
|
|a Intended to introduce readers to the use of artificial neural networks in the study of music, this volume contains numerous case studies and research findings that address problems related to identifying scales, keys, classifying musical chords, and learning jazz chord progressions. A detailed analysis of networks is provided for each case study which together demonstrate that focusing on the internal structure of trained networks could yield important contributions to the field of music cognition.
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Music
|x Psychological aspects
|v Case studies.
|
650 |
|
0 |
|a Music
|x Physiological aspects
|v Case studies.
|
650 |
|
0 |
|a Music
|x Philosophy and aesthetics
|v Case studies.
|
650 |
|
0 |
|a Neural networks (Computer science)
|v Case studies.
|
650 |
|
6 |
|a Musique
|x Aspect psychologique
|v Études de cas.
|
650 |
|
6 |
|a Musique
|x Aspect physiologique
|v Études de cas.
|
650 |
|
6 |
|a Musique
|x Philosophie et esthétique
|v Études de cas.
|
650 |
|
6 |
|a Réseaux neuronaux (Informatique)
|v Études de cas.
|
650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
|
650 |
|
7 |
|a Music
|x Philosophy and aesthetics
|2 fast
|
650 |
|
7 |
|a Music
|x Physiological aspects
|2 fast
|
650 |
|
7 |
|a Music
|x Psychological aspects
|2 fast
|
650 |
|
7 |
|a Neural networks (Computer science)
|2 fast
|
653 |
|
|
|a Music and technology
|
653 |
|
|
|a Music--Philosophy and aesthetics
|
653 |
|
|
|a Music--Physiological aspects
|
653 |
|
|
|a Music--Psychological aspects
|
653 |
|
|
|a Musical intervals and scales
|
653 |
|
|
|a Neural networks (Computer science)
|
655 |
|
7 |
|a Case studies
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Dawson, Michael Robert William, 1959-
|t Connectionist representations of tonal music.
|d Edmonton, AB : AU Press, Athabasca University, [2018]
|z 1771992204
|z 9781771992206
|w (OCoLC)991727278
|
830 |
|
0 |
|a desLibris.
|p Books collection.
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1775041
|z Texto completo
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 15252649
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1775041
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL5330831
|
938 |
|
|
|a Canadian Electronic Library
|b CELB
|n 455547
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH35149966
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH35149967
|
994 |
|
|
|a 92
|b IZTAP
|