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Ovid's Metamorphoses in Twentieth-Century Italian Literature.

This book aims to show the metamorphic nature of Ovid's reception in twentieth-century Italian literature. It is a study of the aesthetic effects of Ovid's poetics within both the novel and poetry tradition in Italy. By using a historical and philological methodology, the authors of each e...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Comparini, Alberto (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Heidelberg : Universitätsverlag Winter, [2018]
Colección:Bibliothek der klassischen Altertumswissenschaften, Neue Folge, 2. Reihe.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Comparini, Alberto,  |e editor. 
245 1 0 |a Ovid's Metamorphoses in Twentieth-Century Italian Literature. 
264 1 |a Heidelberg :  |b Universitätsverlag Winter,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (364 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Bibliothek der klassischen Altertumswissenschaften, Neue Folge, 2. Reihe ;  |v v. 157 
500 |a Includes index. 
505 0 |a Cover; Titel; Imprint; Notes; Acknowkledgments; Contents; Alberto Comparini: Italian Ovid. A Perspective on the Ever-Presence of Metamorphosis; I Ovidian Philology; Sergio Casali: Ovid and Italian Philology; 1 â#x80;#x9C;Quellenforschungâ#x80;#x9D; in the Early Twentieth Century; 2 Between the Two Wars; 3 The 1940s, the 1950s, and the Bimillenary Celebrations of 1957-1958; 4 Ovid and the Self-Consciousness of Poetry; II Ovid and the (Two) Italian Crowns; Francesca Irene Sensini: â#x80;#x9C;Referre idem aliter.â#x80;#x9D; Vestiges of Ovid in Giovanni Pascoliâ#x80;#x99;s Work; 1 Introduction; 2 Ovid in the Anthologies. 
505 8 |a 3 Ovid on the Bookshelves and in the Archives4 Ovid Translated (and Metamorphosed; 5 Ovid in the Backstory; 6 Conclusion; Raffaella Bertazzoli: â#x80;#x9C;Nec species sua cuique manet.â#x80;#x9D; Dâ#x80;#x99;Annunzio, Ovid, and the Re-Use of a Classic; 1 The â#x80;#x9C;Will to Singâ#x80;#x9D;; 2 Other Myths (beyond Ovid); 3 What Myth?; 4 The Metaphorical Muse; 5 Between Myth and Vision; 6 The Metamorphosis of the Self; 7 The Etiologic Myth and Beyond; 8 The Reuse of the Myth; III Ovid and the Lyric, Part I; â#x80;#x9C;Tu che il non mutato amor mutata serbi.â#x80;#x9D; Ovid and Montale; 1 Introduction. 
505 8 |a 2 Montale versus Dâ#x80;#x99;Annunzio. Different Models and Strategies of Metamorphosis3 Montalean Mythology: Annetta; 4 Montalean Mythology: Clizia; IV Ovid between Modernism, Magism, and Surrealism; Alessandro Giammei: Massimo Bontempelliâ#x80;#x99;s Re-Inventions. Magism, Metaphysics, and Modern(ist) Mythology; 1 Those Who Had â#x80;#x9C;an Ovidâ#x80;#x9D; in the Novecento; 2 Rescuing vs. Restoring Ovid, from Prussia to Valòria; 3 Taking Mythology Seriously, or How to Remake Ovid. 
505 8 |a Lucilla Lijoi: â#x80;#x9C;Degno del canto di un Ovidio.â#x80;#x9D; The â#x80;#x98;Metamorphosesâ#x80;#x99; as Key to Understanding Modernity in the Poetics of Alberto Savinio1 Ovid as â#x80;#x98;persona agens; 2 Savinioâ#x80;#x99;s Metamorphic Poetics; Laura Bardelli: The Lure of the Apennines. The Myth of the Were-Goat in Tommaso Landolfi; 1 Introduction. Ovid, Landolfi, and the Apennines; 2 Goatsâ#x80;#x99; Footsteps (Ovid, Landolfi, Pavese, Montale, Levi); 3 The Village/Mountain Dichotomy and Pivotal Role of the Were-Animal; 4 A Poetic Initiation; V Interdisciplinary Ovid; Rosalba Galvagno: The Metamorphosis of Daphne in Carlo Levi. 
505 8 |a 1 The Portrait of Daphne in Verse2 The Portrait of Daphne in Painting; 3 The Prose Portrait of ""Daphne and Apollo; Bart van den Bossche: Paveseâ#x80;#x99;s Dialogue with Ovid. The Destiny of Metamorphosis in â#x80;#x98;Dialoghi con Leucòâ#x80;#x99; (1947); 1 Pavese and Ovid; 2 Tweaking the Motif of Metamorphosis; 3 Metamorphosis as a Hybrid Condition. The Story of Lycaon; 4 Lycaon and the Sovereign Ban; 5 A New Order. Gods, Animals and Otherness; 6 Conclusion; Vilma De Gasperin: Protean Metamorphoses in Anna Maria Ortese; 1 â#x80;#x9C;FamilienÃÞhnlichkeit.â#x80;#x9D; Metamorphoses in Ortese and Ovid. 
505 8 |a 2 â#x80;#x9C;Omnia mutantur, nihil interitâ#x80;#x9D. 
588 0 |a Print version record. 
520 8 |a This book aims to show the metamorphic nature of Ovid's reception in twentieth-century Italian literature. It is a study of the aesthetic effects of Ovid's poetics within both the novel and poetry tradition in Italy. By using a historical and philological methodology, the authors of each essay have shown the hermeneutic power of Ovid, read as a constant intertextual presence. From Giovanni Pascoli to Eugenio Montale, from Italo Calvino to Antonio Tabucchi, in this book Ovid's reception is finally shown to be as important as Virgil's and offers new important tools in order to understand the role of Latin literature in the twentieth century. 
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600 0 0 |a Ovid,  |d 43 B.C.-17 A.D. or 18 A.D.  |t Metamorphoses. 
600 0 0 |a Ovid,  |d 43 B.C.-17 A.D. or 18 A.D.  |t Metamorphoses  |x Influence. 
630 0 7 |a Metamorphoses (Ovid)  |2 fast 
650 0 |a Italian literature  |y 20th century  |x Roman influences. 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast 
650 7 |a Italian literature  |x Roman influences  |2 fast 
648 7 |a 1900-1999  |2 fast 
776 0 8 |i Print version:  |a Comparini, Alberto.  |t Ovid's Metamorphoses in Twentieth-Century Italian Literature.  |d Heidelberg : Universitätsverlag Winter, ©2018  |z 9783825367886 
830 0 |a Bibliothek der klassischen Altertumswissenschaften, Neue Folge, 2. Reihe. 
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