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Olivier Messiaen's Catalogue d'oiseaux : from conception to performance /
Roderick Chadwick and Peter Hill give a detailed account of the evolution of Olivier Messiaen's Catalogue d'oiseaux for piano solo, from its initial conception in the Black Forest in 1953 to its completion and premiere in the Parisian 'Concerts du Domaine Musical' at the end of t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, United Kingdom :
Cambridge University Press,
2018.
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| Colección: | Music in context.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Chadwick, Roderick, |e author. | |
| 245 | 1 | 0 | |a Olivier Messiaen's Catalogue d'oiseaux : |b from conception to performance / |c Roderick Chadwick, Peter Hill. |
| 264 | 1 | |a Cambridge, United Kingdom : |b Cambridge University Press, |c 2018. | |
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| 490 | 1 | |a Music in context | |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Roderick Chadwick and Peter Hill give a detailed account of the evolution of Olivier Messiaen's Catalogue d'oiseaux for piano solo, from its initial conception in the Black Forest in 1953 to its completion and premiere in the Parisian 'Concerts du Domaine Musical' at the end of the decade. Through close examination of the composer's birdsong cahiers they demonstrate how Messiaen translated nature into music in a way that had a major impact on his later work. They also consider issues of performance, and Messiaen's artistic relationship with his dedicatee and wife-to-be, Yvonne Loriod, including the significance of her two recordings of the cycle. This book illuminates the Catalogue from a variety of angles: its historical significance, as a study of how mimicry of nature can be transformed into music of mesmeric originality, and as a guide that offers a wealth of fresh insights to listeners and performers. | ||
| 505 | 0 | 0 | |g Machine generated contents note: |g 1. |t Content and Context -- |g 2. |t Birdsong and the Genesis of Catalogue d'oiseaux -- |g 3. |t Beyond the Birdsong of Catalogue d'oiseaux -- |g 4. |t Tire First Wave of Composition -- |g 5. |t Second Wave of Composition -- |g 6. |t Performance -- |g 7. |t Postlude. |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Messiaen, Olivier, |d 1908-1992. |t Catalogue d'oiseaux. |
| 630 | 0 | 7 | |a Catalogue d'oiseaux (Messiaen, Olivier) |2 fast |0 (OCoLC)fst01365234 |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 700 | 1 | |a Hill, Peter, |d 1948- |e author. | |
| 776 | 0 | 8 | |i Print version: |a Chadwick, Roderick. |t Olivier Messiaen's Catalogue d'oiseaux. |d Cambridge, United Kingdom : Cambridge University Press, 2018 |z 9781107000315 |z 1107000319 |w (DLC) 2017037841 |w (OCoLC)1001412118 |
| 830 | 0 | |a Music in context. | |
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