Cargando…
Cinema in the digital age /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Wallflower Press,
[2017]
|
| Edición: | Revised edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Table of Contents; Acknowledgments; Preface to the Revised Edition; Preface; 1. Accelerationism; 2. The Adorno Paradox; 3. Against Method; 4. Analog/Digital Splice; 5. Blood, Simple; 6. Boredom and Analog Nostalgia; 7. The Digital Spectacular; 8. Disposable Aesthetics; 9. DV Humanism; 10. Filmless Films; 11. Frame Dragging; 12. The Ideology of the Long Take; 13. Image/Text; 14. Incompleteness; 15. Interfaces; 16. iPod Experiment; 17. Ironic Mode; 18. Looking at Yourself Looking; 19. The Lost Underground; 20. Love in the Time of Fragments; 21. Media as Its Own Theory; 22. Mobile Viewing.
- 23. Moving Space in the Frame, and a Note on Film Theory; 24. Natural Time; 25. Nonlinear; 26. Paranormal Activity 2; 27. Pausing; 28. Punk; 29. Realism; 30. Real Time; 31. The Real You; 32. The Reality Industrial Complex; 33. Remainders; 34. Sampling; 35. Secondary Becomes Primary; 36. Self-Deconstructing Narratives; 37. Shaky Camera; 38. Shoot!; 39. Simultaneous Cinema; 40. Small Screens; 41. Target Video; 42. Time, Memory; 43. Time-Shifting; 44. Timesis: Skimming and Skipping; 45. Undirected Films; 46. Viewer Participation; 47. Virtual Humanism: Part 1; 48. Virtual Humanism: Part 2.
- 49. Visible Language, Spring 1977; 50. Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project; Filmography; Bibliography.